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LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE

ANIMATION SCRIPTWRITING

Dates: 5 DEC 2024 - 28 JAN 2025
Duration: 6 WEEKS
TUESDAYS & THURSDAYS
5 PM PST / 8 PM EST
DAVID N. WEISS
TOEI ANIMATION
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE ON ANIMATION SCRIPTWRITING
DATES:
5 DEC 2024 - 28 JAN 2025
DURATION:
6 WEEKS
TUESDAYS & THURSDAYS
5 PM PST / 8 PM EST

Delve into storytelling essentials. Build a solid foundation in narrative structure, character development, and visual storytelling.

Learn directly from Emmy-nominated David N. Weiss, who wrote for Shrek 2, Jimmy Neutron, The Smurfs, and Rugrats. Gain real industry insights on portfolio development to get your foot in the door.

THIS COURSE IS FOR YOU, IF...

  • YOU ARE AN ASPIRING ANIMATION WRITER

     

    You'll learn how to create engaging stories, understand what studios and networks want in scripts, and pick up practical tips for pitching and writing for TV, film, or branded content. It’s all about turning your passion into a career and helping you stand out.

  • YOU ARE A PROFESSIONAL WORKING IN AN ANIMATION STUDIO

     

    This course is perfect for pros like storyboard artists and animators who want to sharpen their storytelling and scriptwriting skills. You'll learn how to nail character development and story structure, making it easier to share ideas with your team, pitch projects, and take your career to the next level.

  • YOU WANT TO SHIFT INTO ANIMATION AS A SCREENWRITER OR A FREELANCER

     

    For writers making the jump to animation, the course opens doors to the market by teaching you storytelling tricks that set animation apart. You'll create a pitch that grabs attention and learn how to network and land gigs in this specific industry.

YOUR ASCENT STARTS HERE

Hone scriptwriting & enhance creativity.

Learn the practical techniques for writing captivating scripts, from dialogue to scene descriptions and narrative flow. Strengthen your ability to think creatively, adapt stories, and tackle storytelling challenges with fresh, original ideas.

Learn from an industry veteran whose films have grossed over $2.3 billion worldwide.

This course offers hands-on workshops, specialized content, and real-world insights you won’t find in general screenwriting courses. By the end, you'll have polished portfolio cases and the networking know-how to break into the animation industry.

 
ABOUT THE COURSE / WHAT YOU'LL DO
01
HARD & SOFT SKILLS

Across 12 dynamic classes, you'll explore story structure, genre, dialogue, character design, visual thinking, and more — all enhanced by hands-on workshops and practical, career-focused assignments.

02
INDUSTRY GUIDANCE

We’ll teach you the skills needed to thrive in the industry. You'll gain the tools to build a strong portfolio of scripts and pitches, navigate studio structures, and network with key industry players.

03
REAL PORTFOLIO CASE

Develop your own unique film or TV concept. You’ll build the story, discuss characters, and analyze essential filmmaking elements, culminating in a final pitch to bring your vision to life. 

INSTRUCTOR

DAVID N. WEISS

LinkedIn Profile
  • Emmy-nominated Writer & Film Director
  • Wrote for family classics like Shrek 2, Jimmy Neutron: Boy Genius, The Smurfs, and Rugrats, with his films grossing over $2.3 billion worldwide
  • Co-wrote and directed Rugrats Chanukah, contributed to TV shows like Cybill and Mission Hill, and co-wrote Are We There Yet? and Clockstoppers
  • Directed talents like Henry Winkler and J.K. Simmons, and penned the screenplay for All Dogs Go to Heaven
  • Member of the Motion Picture Academy and former VP of the Writers Guild of America, he's also authored three children's books, including Eloise in Hollywood
syllabus
01
THU (12/5), 5 PM PST/8 PM EST
Introduction to Animation Storytelling

FADE IN. Welcome to your first class! Begin your journey by familiarizing yourself with the art of storytelling and the history and culture of the animation medium. Get your creative juices flowing with an interactive discussion of your ideas.

 

  • The art of storytelling
  • History & culture of animation & screenwriting
  • Live action vs. animation
  • Why animation?
  • WORKSHOP: Brainstorming session - discuss original story ideas for feedback

ASSIGNMENT 1: Apply feedback from the workshop to original ideas.

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02
TUE (12/10), 5 PM PST/8 PM EST
Story Structure

Structure is the building block of any great story. Delve into core concepts from three-act structure, plot points, and the turning point to resolution. You will also explore effective scene sequencing and get a few tips and tricks for doling. 

 

  • Structure: core concepts
  • Scene sequencing
  • Doling tips
  • Film structural analysis
  • MINI-WORKSHOP: Break a film and a scene down to their core structures
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03
THU (12/12), 5 PM PST/8 PM EST
Research and Genre

To create an intriguing and immersive world, you need to understand it! Dive into effective practices and conduct genre research through immersion. Go one step further and discover how to subvert expectations in stories.

 

  • Effective research practices
  • Genre research
  • Subverting expectations
  • Tone across story types
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04
TUE (12/17), 5 PM PST/8 PM EST
Character Design and Development

Who is your character? What makes them ‘tick’? This class will help you answer those questions as you gain a deep understanding of what drives a character, from motivations and intentions to conflicts. Learn how to further enhance characterization and convey subtext through dialogue.

 

  • Character motivations, intentions, obligations, and conflicts
  • Enhancing characterization
  • Conveying subtext through dialogue
  • EXERCISE: Look at clips of Tim Allen: Galaxy Quest vs Toy Story

ASSIGNMENT 2: Draw up a character profile using the knowledge gained from the class

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05
THU (12/19), 5 PM PST/8 PM EST
Adapting Stories & Creating Consistency

When it comes to character arcs, consistency is key! Learn how to develop consistent character arcs and backstories across multiple episodes. You will also explore management of ongoing subplots and world development across a series.

 

  • Feature films and serialized & episodic formats
  • Consistent character arcs & backstory
  • Ongoing subplots & world development
  • Episodic stories & season-wide narratives
  • Story types: scope & scale

ASSIGNMENT 3: Change the format of your original story concepts. E.g. feature film to TV.

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06
TUE (1/7), 5 PM PST/8 PM EST
WORKSHOP: Adapting Stories & Creating Consistency

Let’s get practical! Follow your instructor as he breaks down the pilot of Avatar: The Last Airbender and its overall arc to demonstrate what makes a good episode.

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07
THU (1/9), 5 PM PST/8 PM EST
Dialogue & Narration

Delve into the uses of dialogue, how to make it compelling and believable, and the differences between dialogue and exposition. Further, explore when to and not to use narration and how to choose an effective narrator.

 

  • Dialogue: purpose & use
  • Believable & compelling dialogue
  • Dialogue vs. exposition
  • Animation dialogue vs live-action
  • When to use narration & choosing a narrator
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08
TUE (1/14), 5 PM PST/8 PM EST
WORKSHOP: Writing Scenes

Get those creative juices flowing as you complete two exercises: first, rewrite bad scenes using improv pitches, and second, write scenes from an actual movie.

 

ASSIGNMENT 4: Write dialogue for an original animated character, focusing on the character’s design, personality, and the overall tone of the animation.

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09
THU (1/16), 5 PM PST/8 PM EST
Visual Thinking & Creating Vivid Settings

How do you translate the visual image in your head to the page? Discover how to compress large descriptions, write engaging action, and how to communicate through objects.

 

  • Compressing descriptions
  • Showing vs. telling
  • Writing action & knowing your world
  • Communication through objects
  • Setting tone & mood

ASSIGNMENT 5: You will: 1.) Write a detailed description of a scene from your original story, then 2.) rewrite the scene using concise language.

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10
TUE (1/21), 5 PM PST/8 PM EST
Soft Skills for Animation Storytelling

Take a step into the real world. Explore the dynamics of working in a creative team, communicating your ideas, and managing multiple projects and deadlines.

 

  • Creative team dynamics
  • Effective team communication
  • Time management & prioritization
  • Problem-solving
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11
THU (1/23), 5 PM PST/8 PM EST
Pitching and Selling Animated Projects

The elevator pitch: quick, concise, compelling. Become a master of grabbing attention with loglines and hooks and tailoring pitches to specific audiences. Learn what studios and networks look for and how to use character sketches and concept art as visual assistants.

 

  • Developing strong pitches
  • What studios & networks look for
  • Tailoring pitches to different audiences
  • Visual aids
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12
TUE (1/28), 5 PM PST/8 PM EST
Career Prep for Animation Writers

It’s the final episode! This class will prepare you for the animation industry, from exploring different career paths, developing a strong portfolio, and interviewing tips to building connections by attending workshops and online platforms. Now it’s your time to fly! ROLL END CREDITS.

 

  • Animation industry landscape
  • Portfolio development
  • Professional networking
  • Interview tips
  • Final Q&A

FINAL PORTFOLIO ASSIGNMENT:
Create a pitch document for original concepts. Include an introduction, synopsis, discussion of characters, filmmaking elements, and conclusion.

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What our students say

Carlos Andres
BECOME AN ART DIRECTOR
"The group activities, they allow us to interact and exchange ideas, plus the way it is structured is challenging and mind twisting as we collaborate in different parts of the ideation."
Hayley Smith
BRANDING 101
"Overall I'm impressed with the level of detail and explanation around particular topics and subjects. There's a real depth to each module which for learning allows the information to stay in your brain."
Rebecca Kouwe
HUMAN RESOURCES ANALYTICS
"I really enjoy the format of the course. Lectures with real life examples and an ongoing case study. Also built in 20 minutes at the end of each class for questions is helpful."
Courtney Fulton
WOMEN IN LEADERSHIP
"I enjoyed the structure of the class. I like how we learned about a topic and practiced it in the workshops. It’s helped me to apply what I learned!"
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