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LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE

BOOK PUBLICIST

Dates: 3 NOV 2025 - 10 DEC 2025
Duration: 6 WEEKS
MONDAYS & WEDNESDAYS
5 PM PT / 8 PM ET
JOSH REDLICH
RANDOM HOUSE CHILDREN’S BOOKS
Josh Redlich
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE ON BECOMING A BOOK PUBLICIST
DATES:
3 NOV 2025 - 10 DEC 2025
DURATION:
6 WEEKS
MONDAYS & WEDNESDAYS
5 PM PT / 8 PM ET

Help great books get the spotlight they deserve. Learn all that goes into building an impactful publicity campaign — from drafting compelling press materials to coordinating launch events.

Join Josh Redlich, a publicity pro who’s worked with bestselling fantasy authors Philip Pullman, Brandon Sanderson, Christopher Paolini, & more. Get the insider tips and hands-on guidance you need to shine in this field.

THIS COURSE IS FOR YOU, IF...

  • YOU ARE AN AGENT/EDITOR

     

    You champion authors — but when publicity questions come your way, it’s easy to feel out of your depth. This course gives you the confidence to speak the language of buzz. You’ll understand how campaigns are built, how to guide your authors through the process, and how to become the kind of collaborator publicists love.

  • YOU ARE AN ASPIRING PUBLICIST OR BOOK PUBLISHING PRO

     

    Breaking into publishing is tough — especially when you’re still figuring out where you fit. This course gives you a clear look at what a publicist really does, and the chance to try it yourself. You’ll build real skills, create a portfolio-ready campaign, and step into the industry with direction (and a leg up).

  • YOU ARE AN AUTHOR

     

    You’ve poured your heart into the pages — now what? Whether you have a publicist or you’re doing it solo, this course pulls back the curtain on how book campaigns work. You’ll walk away with a deeper understanding of how publicity can amplify your book’s reach and support its success.

Our students work in 1600+ companies worldwide

  • Google logo
  • Apple logo
  • Ubisoft logo
  • Microsoft logo
  • Blizzard logo
  • Uber logo
  • Epic Games logo
  • Amazon logo
  • Spotify logo
  • Meta logo
  • PlayStation Studios logo
  • Nike logo
 
ABOUT THE COURSE / WHAT YOU'LL DO
01
HANDS-ON EXPERIENCE

Build media lists, write press materials, and develop event strategies through weekly assignments and interactive workshops. Learn how to talk to the press — and get them to talk back.

02
REAL-WORLD INSIGHTS

Explore real campaign case studies (yes, even BookTok hits) and hear directly from guest speakers in media, marketing, and publishing. You’ll get the context most people don’t.

03
COURSE PROJECT

Create your own full publicity campaign from the ground up — timeline, media plan, events, and press materials included. It’s a test of your strategy, creativity, and communication skills — the recipe for an  extraordinary publicist.

INSTRUCTOR
JOSH REDLICH LINKEDIN PROFILE
  • Associate Director, Publicity & Media Strategy at Random House Children’s Books
  • Promoted bestselling fantasy authors including Brandon Sanderson, Christopher Paolini, Philip Pullman, Mary Pope Osborne, Tamora Pierce, & more.
  • Worked with celebrities including Bette Midler, Kevin Hart, and Omar Epps.
  • Spearheaded campaigns for beloved brands like Sesame Street, Stranger Things, and Wednesday. 
  • Started his career at Sterling Publishing, handling titles ranging from children’s picture books to adult nonfiction.
  • Was a 2019 PW Star Watch honoree and former Chair of the Young to Publishing Group and Co-Chair of the Publishers Publicity Association planning committees.
Instructor Josh Redlich
syllabus
00
WED (10/29), 5 PM PT/8 PM ET
Welcome Class

Get the full download on what’s ahead: what you'll learn, what’s expected, and how the final project ties it all together. You’ll meet your instructor, map out the journey, and start thinking like a publicist with a campaign in mind.

  • Instructor intro
  • Course structure 
  • Assignments & final project overview
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01
MON (11/3), 5 PM PT/8 PM ET
The World of Book Publicity

Get the inside scoop on what book publicists do beyond just “getting media coverage.” You'll break down the timeline, the tactics, and the tricky balance between hype and hustle, all while learning how real campaigns turn into real buzz.

  • The role of a book publicist: Publicity as the final stage
  • The beats of a publicity campaign
  • Marketing vs. publicity
  • Case study: Successful book publicity campaigns & book buzz (i.e. Empyrion SeriesbyRebecca Yarros)
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02
WED (11/5), 5 PM PT/8 PM ET
Identifying a Book's Pitch Angles, Target Audience, & Media Goals

Learn how to spot a book’s most irresistible angles, figure out who’ll love it and where they hang out, and map out the smartest media moves. By the end of this session, you'll be able to pitch with purpose.

  • Finding the hook: What makes a book unique & newsworthy
  • Target audience: Determining reader demographics and their media habits
  • Media strategy: targeting the right media for the campaign
  • Demo & Workshop: Brainstorming publicity angles, reader demographics, and media targets for different books 

Assignment #1: Reader Persona
Pick a book and create a reader persona for one target audience. Define their gender, age, interests, media habits, and what angle(s) would hook them.

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03
MON (11/10), 5 PM PT/8 PM ET
Media Landscape & Coverage Opportunities + Guest Speaker

Journey through print, podcasts, and more as you get the lowdown on the book coverage opportunities available across each type of media outlet. Plus, hear it straight from a media professional in the guest Q&A.

  • Types of media outlets 
  • Media coverage opportunities 
  • Demo: Showcase of a Media Strategy and Media Summary 
  • Guest speaker: Entertainment editor on what makes a book pitch stand out
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04
WED (11/12), 5 PM PT/8 PM ET
Generating a Media List

Learn how to hunt down the right outlets and contacts that can get your book seen, no shouting into the void. Build a solid media list and spot real opportunities like reviews, excerpts, or podcast interviews.

  • How to build a media list: outlets, contacts, opportunities
  • Media tools: Podchaser, MuckRackm, Google, ChatGPT
  • Demo: Live-research of contacts for a book
  • Workshop: Identifying potential review outlets & contacts

Assignment #2: Media List
Build a list of 15 media contacts for a specific genre/book. Start with a short paragraph explaining your strategy, then list names, outlets, and one-line reasons with links showing why each person is a good fit.

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05
MON (11/17), 5 PM PT/8 PM ET
Press Materials: Press Releases, Pitches, & More

Learn how to shape the right press material for the right moment, whether it’s a punchy pitch, a polished press release, or a personal note that gets a reviewer’s attention. We’ll break down the formats, when to use which, and how to make every word count.

  • Press releases & pitches
  • ARC letters 
  • Announcements
  • Roundup pitches
  • Media kits 
  • Demo: Examples of each 

Assignment #3A: Press Release & Pitch
Write a 1-page press release (3–4 paragraphs) focused on the plot and author. Then craft a 2-3 paragraph pitch with personalized opening and closing lines.

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06
WED (11/19), 5 PM PT/8 PM ET
Workshop: Writing Press Materials

Write press materials that actually get read. Learn how to shape sharp, media-friendly pitches that won’t get ignored.

  • The art of the pitch: do’s & don’ts
  • Demo: Live editing of press releases & pitches
  • Workshop: Peer review of Assignment 3A 
  • Discussion: Live editing of student pitches

Assignment #3B: Edit Your Press Release & Pitch
Revise your press release and pitch based on feedback & discussion: implement the do’s and don’ts mentioned.

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07
MON (11/24), 5 PM PT/8 PM ET
Events Strategy I

Get clear on what kinds of event opportunities are available for authors. From bookstore launches to comic con panels, learn how to determine the right gigs for the right goals, with tips for how to promote and maximize your author’s time.

  • Types of events: Launches, bookstore events, tours, school visits, cons, etc.
  • Virtual vs. in-person
  • Tour opportunities: How to make the most of a tour 
  • Event effective promotion & audience engagement 
  • Budget: What does traveling cost?
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08
WED (11/26), 5 PM PT/8 PM ET
Events Strategy II

Learn how to turn book tour chaos into crowd-pleasing wins. From dodged disasters to DIY promo tactics, you'll get the lowdown on what really makes live events work . . . and what to do when they very much don’t!

  • Current events landscape
  • Publicist as problem-solver
  • Case study: Successful & unsuccessful events
  • Exercise: E&E (“Events & Emergencies”), a D&D-style scenario-solving game where live events go wrong

Assignment #4: Events Strategy
Create an event plan on a $1500 budget. Include 3–5 events in a 3-month calendar with suggested timing, partners, and publicity tie-ins.

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09
MON (12/1), 5 PM PT/8 PM ET
The Publicist/Author Relationship

Learn how to be your author’s go-to person, part publicist, part therapist. From media prep to tough talks, you’ll explore how to support authors while juggling the bigger goals of the publisher.

  • Publicist as author point person
  • Relationship goals
  • Navigating difficult conversations 
  • Media training 
  • Discussion: Balancing the needs of an author with the goals of a publisher
  • Guest speaker
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10
WED (12/3), 5 PM PT/8 PM ET
Social Media 101: Author Platform & Influencer Campaigns

Learn how to build your author brand, pick the right platforms, and use social media and influencers to generate buzz and sell books. You’ll see what works and why, with a real-world case study and insider tips from Random House’s digital strategy lead.

  • Building an author’s brand & platform
  • Social media for book promotion
  • Case study: We Were Liars by E. Lockhart
  • Guest speaker: A Digital Marketer on building book and author brands
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11
MON (12/8), 5 PM PT/8 PM ET
Measuring Success & PR Challenges

Figure out what success looks like in publicity beyond book sales. Learn how to set smart goals, track what matters, and spot what’s working (or not!) in a shifting media and AI-driven landscape.

  • Pros and cons of publicity
  • Buzz > book sales 
  • Challenges of a changing landscape: changing media affinities, AI, and more
  • Balancing author and agent requests with publisher goals
  • Group Discussion: Examples of media coverage, and their impact on buzz and sales
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12
WED (12/10), 5 PM PT/8 PM ET
Career Opportunities

Get real-world tips on breaking into book publicity. Learn how to find the right internship and customize your resume for the greatest impact. Network smart, tailor your cover letter, and use AI without sounding like a robot.

  • Career advice
  • Experience requirements
  • The benefit of networking 
  • Resume & cover letter tips 
  • Q&A

Course Project: Full Publicity Campaign
Plan and present a complete campaign (real or fictional book). Include:

  • Book overview (summary, author bio & location)
  • Full campaign timeline
  • Expanded reader personas & tailored pitch angles
  • Media list with 30+ targeted contacts across different categories
  • 1 press release
  • 1 personalized pitch
  • Event strategy: at least 5 events with a $3000 budget
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What our students say

Student Rebecca Kouwe
Rebecca Kouwe
HUMAN RESOURCES ANALYTICS
"I really enjoy the format of the course. Lectures with real life examples and an ongoing case study. Also built in 20 minutes at the end of each class for questions is helpful."
Student Hayley Smith
Hayley Smith
BRANDING 101
"Overall I'm impressed with the level of detail and explanation around particular topics and subjects. There's a real depth to each module which for learning allows the information to stay in your brain."
Student Carlos Andres
Carlos Andres
BECOME AN ART DIRECTOR
"The group activities, they allow us to interact and exchange ideas, plus the way it is structured is challenging and mind twisting as we collaborate in different parts of the ideation."
Student Courtney Fulton
Courtney Fulton
WOMEN IN LEADERSHIP
"I enjoyed the structure of the class. I like how we learned about a topic and practiced it in the workshops. It’s helped me to apply what I learned!"
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