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LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE

CREATIVE SYNC & LICENSING MANAGER

Dates: 17 FEB 2027 - 29 MAR 2027
DURATION: 6 WEEKS
MONDAYS & WEDNESDAYS
5:30 PM PT / 8:30 PM ET
BRYAN CHABROW
EX-BMG, UNIVERSAL MUSIC GROUP, DEF JAM RECORDINGS
Bryan Chabrow
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE ON CREATIVE SYNC & LICENSING MANGEMENT
DATES:
17 FEB 2027 - 29 MAR 2027
DURATION:
6 WEEKS
MONDAYS & WEDNESDAYS
5:30 PM PT / 8:30 PM ET

Learn how to take a track from creative brief to signed sync deal in film, TV and advertising.

Bryan Chabrow, Head of Synch at Position Music with more than 10 years in sync at BMG, shows you how deals get done. You'll leave with a music licensing plan ready to pitch.

THIS COURSE IS FOR YOU, IF...

  • YOU ARE AN INDEPENDENT ARTIST OR ARTIST MANAGER

     

    You have music to license, but contract gaps put every deal at risk. This music supervisor course takes you through rights research in ASCAP and BMI, agreement review, PRO registration and licensing directly with music supervisors, filmmakers and brands. You'll walk away able to protect your work, negotiate stronger terms and grow the income your music earns.

  • YOU ARE A MUSIC INDUSTRY PRO

     

    You know the business, but sync licensing still sits outside your expertise. This music supervisor training covers agreement analysis, catalog management in DISCO, clearance workflows and PRO royalties, with five guest experts adding their side of the deal. You'll take on sync work with sharper judgment on rights, terms and budgets.

  • YOU ARE A CAREER SWITCHER

     

    Music licensing is your next move, but contract and rights knowledge is still missing. Across 12 lessons you'll work through the full process on how to license your music for film and TV, from rights research and contract drafting to pitching, negotiation and networking. You'll leave with a solid grasp of the sync workflow and a Creative Pitching Plan you can show employers.

Our students work in 1600+ companies worldwide

  • Google logo
  • Apple logo
  • Ubisoft logo
  • Microsoft logo
  • Blizzard logo
  • Uber logo
  • Epic Games logo
  • Amazon logo
  • Spotify logo
  • Meta logo
  • PlayStation Studios logo
  • Nike logo
 
ABOUT  THE COURSE / WHAT YOU'LL DO
01
PRACTICE THE FULL WORKFLOW

You'll tag and clear a playlist, answer a creative brief with tracks and a rough budget, and propose revisions to a sample licensing agreement. Two workshops put you inside a sync negotiation for a TV show or commercial. Live demos of ASCAP, BMI and DISCO show the tools in action. 

02
FIVE GUEST EXPERTS

Guest sessions bring in a licensing expert, a creative sync expert, a royalties expert, an independent artist and a networking guest. Bryan adds lessons from licensing music for trailer and promo campaigns for Netflix, HBO, ESPN and Epic Games. You'll see how a deal looks from the label, publisher and artist side. 

03
A PITCH-READY FINAL PROJECT

Your final project is a Creative Pitching Plan for a film, TV series or commercial of your choice. You'll select tracks, research rights holders, calculate fees, draft a licensing agreement and pitch your strategy to stakeholders. Deliver it as a report, a presentation or a video, then use it to show employers and clients how you work.

INSTRUCTOR
Bryan Chabrow LinkedIn Profile
  • Leads sync as Head of Synch at Position Music
  • Spent more than 10 years at BMG, serving as Vice President of Sync Services & Partnerships
  • Began his career at Universal Music Group, in sync roles with Island Records & Def Jam Recordings
  • Licensed music for trailer & promotional campaigns for Netflix & HBO
  • Secured sync placements for publishing copyrights & master recordings across domestic & international repertoires
  • Created custom covers & remixes with artists & composers for large-scale marketing campaigns
  • Worked on campaign projects involving The Rolling Stones & Mötley CrĂĽe
Instructor Bryan Chabrow
syllabus
00
WED (2/10), 5:30 PM PT/8:30 PM ET 
Welcome Class

Meet Bryan and your cohort, get a clear picture of how the course runs, and see how each assignment builds toward your final Creative Pitching Plan.

  • Course structure & expectations
  • Assignments & final project overview
  • Instructor introduction
 
 
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01
WED (2/17), 5:30 PM PT/8:30 PM ET 
Introduction to Music Licensing and the Industry

Learn how music licensing works when someone wants to use a song in film, TV, advertising or other media, and who the key players are in the US market.

  • Licensing's role in media
  • US music licensing market
  • Rights holders, publishers, labels & third parties
 
 
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02
MON (2/22), 5:30 PM PT/8:30 PM ET 
Music Licensing Agreements + Guest Speaker

Discover who owns the music, how those rights are divided under US law, and which terms and clauses matter most when you read a licensing agreement.

  • Ownership & rights under US law
  • Copyright ownership & rights splits
  • Key terms & clauses in licensing agreements
  • Workshop: challenges in negotiating music licensing agreements
 
 
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03
WED (2/24), 5:30 PM PT/8:30 PM ET 
Music Rights and Ownership Research

Research a song from scratch, track down the correct rights holders, and confirm which permissions you need before the music can be used in a project.

  • Ownership research techniques
  • Rights verification with ASCAP & BMI
  • Records of rights, expiration dates & usage terms
  • Demo: researching ownership & clearances in ASCAP & BMI databases
 
 
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04
MON (3/1), 5:30 PM PT/8:30 PM ET 
Catalog Management and Organization

Organize a music catalog so every track can be found, cleared, licensed and tracked with ease, then get a guided walkthrough of DISCO, the catalog platform used in class.

  • Catalog organization for licensing
  • Demo: DISCO overview

Assignment #1: Playlist Metadata & Clearance
Build a playlist of 3-6 songs with the right metadata, tags and clearance information.

 
 
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05
WED (3/3), 5:30 PM PT/8:30 PM ET 
Music Licensing in Film, TV, and Advertising

Master the workflows, creative demands and placement strategies behind licensing music for film, TV, trailers and ads, then test them in a live negotiation simulation.

  • Licensing workflows across film, TV & advertising
  • Differences between media
  • Licensed songs & custom compositions
  • Workshop: negotiating a sync license for a TV show or commercial
 
 
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06
MON (3/8), 5:30 PM PT/8:30 PM ET 
Creative Music Search & Delivery to Clients + Guest Speaker

Break down creative briefs, source music that fits, spot clearance hurdles early and build client-ready playlists, with a sample brief analyzed step by step in class.

  • Creative brief analysis
  • Music search for briefs
  • Client-ready playlists
  • Demo: sample brief analysis

Assignment #2: Creative Brief Response
Answer a creative brief with 3-6 songs, your rationale, potential clearance hurdles and a rough budget estimate.

 
 
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07
WED (3/10), 5:30 PM PT/8:30 PM ET 
Contracts and Legal Considerations

Analyze the contract terms that shape every deal, from territory and duration to exclusivity, and understand the rights and obligations of each party involved.

  • Key terms & their impact on a deal
  • Territory, duration & exclusivity
  • Common contract risks
  • Rights & obligations of each party
 
 
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08
MON (3/15), 5:30 PM PT/8:30 PM ET 
Effective Communication and Negotiation Skills

Practice a live sync negotiation, balancing client budgets against rights-holder demands without damaging the relationship, and prepare for deals by mapping needs and limits.

  • Negotiation strategies for licensing deals
  • Negotiation prep: budget, rights & time
  • Stakeholder communication
  • Conflict resolution & managing expectations
  • Conflicting ownership claims

Assignment #3: Licensing Agreement Revisions
Review a sample licensing agreement and submit your proposed revisions.

 
 
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09
WED (3/17), 5:30 PM PT/8:30 PM ET 
Understanding Royalties + Guest Speaker

Explore how backend royalties work in sync, from PRO payouts through cue sheets and blanket licenses to collection, distribution and the records that keep payments accurate.

  • Royalty structures in music licensing
  • PRO performance royalties
  • Cue sheets, collection & distribution
  • Payment schedules
  • Record-keeping & working with PROs
 
 
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10
MON (3/22), 5:30 PM PT/8:30 PM ET 
Sync & Licensing for Independent Artists + Guest Speaker

Build a sync plan for independent music, covering PRO registration, licensing platforms, music libraries and deals made directly with music supervisors, filmmakers and brands.

  • Licensing for independent musicians
  • PRO registration
  • Distribution platforms for licensing
  • Music libraries & sync agencies
  • DIY licensing with supervisors, filmmakers & brands
 
 
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11
WED (3/24), 5:30 PM PT/8:30 PM ET 
Networking in the Music Licensing Industry + Guest Speaker

Develop practical ways to build credibility, grow a professional network and pick the music licensing conferences and events that are worth your time.

  • Industry credibility
  • Professional networking
  • Music licensing conferences & events

Assignment #4: Industry Event Calendar
Build a one-page calendar of 8-10 relevant conferences for your sector and location over the next 12 months.

 
 
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12
MON (3/29), 5:30 PM PT/8:30 PM ET 
Career Development in the Music Licensing Industry

Identify the career paths in music licensing, find roles through job boards and hiring resources, and bring the course together in your final pitching presentation.

  • Internships at publishers, licensing & sync agencies
  • Career paths in music licensing
  • Job boards & hiring resources

Final Project: Creative Pitching Plan
Develop a music pitching strategy for a real or fictional film, TV show or commercial, from track selection and rights research to fees, a draft agreement and a stakeholder pitch. Deliver it as a report, a presentation or a video.

 
 
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What our students say

Student Rebecca Kouwe
Rebecca Kouwe
HUMAN RESOURCES ANALYTICS
"I really enjoy the format of the course. Lectures with real life examples and an ongoing case study. Also built in 20 minutes at the end of each class for questions is helpful."
Student Hayley Smith
Hayley Smith
BRANDING 101
"Overall I'm impressed with the level of detail and explanation around particular topics and subjects. There's a real depth to each module which for learning allows the information to stay in your brain."
Student Carlos Andres
Carlos Andres
BECOME AN ART DIRECTOR
"The group activities, they allow us to interact and exchange ideas, plus the way it is structured is challenging and mind twisting as we collaborate in different parts of the ideation."
Student Courtney Fulton
Courtney Fulton
WOMEN IN LEADERSHIP
"I enjoyed the structure of the class. I like how we learned about a topic and practiced it in the workshops. It’s helped me to apply what I learned!"
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