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EDITOR IN BOOK PUBLISHING

Dates: 15 OCT 2026 - 10 DEC 2026
Duration: 9 WEEKS
MONDAYS & THURSDAYS
5 PM PT / 8 PM ET
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LIVE ONLINE COURSE ON BOOK EDITING
DATES:
15 OCT 2026 - 10 DEC 2026
DURATION:
9 WEEKS
MONDAYS & THURSDAYS
5 PM PT / 8 PM ET

Turn raw manuscripts into shelf-ready bestsellers. Every great book needs a great editor behind it.

Tom Hoeler, Editorial Director of Fiction & Special Projects at Random House Worlds (Penguin Random House), will teach you the real editorial craft from first draft to launch day.

THIS COURSE IS FOR YOU, IF...

  • YOU ARE A STUDENT OR RECENT GRAD

     

    Publishing feels like a closed world? We’ll open the doors. It’s a clear, insider’s look at how the industry actually works, from editing manuscripts to collaborating across departments. You’ll gain real editing practice, discover career paths you didn’t know existed, and start building a network that can help you land your first role.

  • YOU ARE AN ENTRY-LEVEL PUBLISHING PROFESSIONAL

     

    Ready to step into editorial but don’t know what it really takes? Or maybe you’re already in editorial and want to sharpen your edge for the next promotion. This course hands you the frameworks, rubrics, and people-skills editors use every day, from supporting an author to syncing with Sales, Marketing, and Design.

  • YOU ARE AN EXPERIENCED PRO PIVOTING INTO PUBLISHING

     

    You’ve got career experience but little visibility into publishing? We’ll get you up to speed. This book editor course demystifies the editor’s role, shows you how books move from draft to shelf, and helps you identify how your existing skills transfer, while giving you the tools to step confidently into this industry.

Our students work in 1600+ companies worldwide

  • Google logo
  • Apple logo
  • Ubisoft logo
  • Microsoft logo
  • Blizzard logo
  • Uber logo
  • Epic Games logo
  • Amazon logo
  • Spotify logo
  • Meta logo
  • PlayStation Studios logo
  • Nike logo
 
ABOUT THE COURSE / WHAT YOU'LL DO
01
PRACTICAL FOCUS

We take you inside every stage of book publishing: acquisition and contracts to editing, design, and marketing. Each lesson zeroes in on a critical skill, blending industry knowledge with hands-on assignments so you both learn the theory and practice the real job of being a book editor.

02
INDUSTRY INSIGHTS

Get practical with workshops on manuscript assessments, cover briefs, and edit letters, then hear directly from bestselling authors and publishing pros on what makes the editor–author relationship work: real talk from the people shaping today’s book market.

03
EDITORIAL PORTFOLIO

Your capstone is the calling card of every publishing professional. From a polished TI sheet to a launch script or cover brief and full editorial letter, you’ll walk away with work samples that prove you can think like an editor and deliver at industry standard.

INSTRUCTOR
  • Leads Fiction and Special Projects as Editorial Director at Random House Worlds (Penguin Random House), shaping publishing programs for global franchises and original works
  • Brings over a decade of experience in science fiction and fantasy publishing, developing best-in-class books with top authors and entertainment brands
  • Directs the Star Wars adult novel program in partnership with Lucasfilm, including the #1 New York Times bestselling High Republic publishing initiative
  • Launched the Stranger Things fiction program in partnership with Netflix, and collaborated with powerhouse brands such as Blizzard Entertainment, Wizards of the Coast, DC Comics, Marvel, and Disney
  • Partnered with bestselling authors across his career including Terry Brooks, Delilah S. Dawson, George R.R. Martin, Rebecca Roanhorse, Madeleine Roux, Charles Soule, Chuck Wendig, and Timothy Zahn
  • Guided the publication of 30+ New York Times bestselling novels, including three #1 hardcover bestsellers
Instructor Tom Hoeler
syllabus
00
TUE (10/13), 5 PM PT/8 PM ET
Prelude

Kick off your publishing journey! Meet your instructor, get a rundown of the course, and set expectations for what you’ll gain, and what this course isn’t. We'll also touch on using AI responsibly in your editorial workflow (think cautionary tales, not shortcuts).

  • Instructor introduction
  • General housekeeping
  • Class and assignment overview

(OPTIONAL) Assignment #0: Write a 4–5 page fiction piece (~5,000 words) to use in upcoming assignments and workshops.

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01
THU (10/15), 5 PM PT/8 PM ET
The Publishing Landscape

Step inside the world of publishing, from the Big Five to indie upstarts, and see where editors really operate. Explore the ecosystem of print, digital, and audiobooks, and dive into how publishers, retailers and authors fit into the industry in ways that show publishing in action.

  • The current publishing landscape
  • Emerging book trends
  • Book formats
  • Author paths to publishing
  • Case Study: Author paths to publishing: Traditional, self-publishing, hybrid
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02
MON (10/19), 5 PM PT/8 PM ET
The Role of an Editor

From acquisitions to line edits, this class is your editorial roadmap that will guide the rest of the course. We’ll explore the “life of a book,” tools for tracking projects and reading, and how to read like an editor, not just a reader. Begin to learn the subtle art of giving feedback that goes beyond “boring” to “here’s why it’s not working.”

  • Types of editors
  • “Life of a book”
  • Tools for editors
  • Editor role
  • Discussion: What is the difference between an editor and reader?
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03
THU (10/22), 5 PM PT/8 PM ET
Acquisition: How An Editor Identifies A Book

Unpack the magic behind acquisition: what draws an editor to a manuscript, and how vision, market awareness, and value drive decisions. Learn to break down query letters, explore comps, and see how to translate assessment into acquisition strategy. And watch an editor break down a story in a real-time live demo!

  • Assessing manuscripts: Evaluation criteria & building a publishing vision 
  • Breaking down Query Letters
  • Evaluation criteria
  • Types of negotiation: Auction, pre-emp, etc.
  • Demo: Assessing a story
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04
MON (10/26), 5 PM PT/8 PM ET
Buying A Book: Contracts + the P&L

From first offer to final signature, learn how editors negotiate, collaborate with agents, and understand contract nuances. Then dive into how those offers are built through one of the most important aspects of being an editor - the P&L. A P&L breakdown demo will show you how acquisition decisions make dollars and sense.

  • Value & acquisition
  • Offer & contract process
  • The Profit & Loss Statement (P&L)
  • Demo: Building and analyzing a P&L

(OPTIONAL) Assignment #1: Analyze and problem-solve a P&L.

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05
THU (10/29), 5 PM PT/8 PM ET
The Editor & the Edit

Time to roll up your sleeves. Discover how to give feedback that’s insightful, actionable, and respectful. Practice developing your editorial voice on sample manuscripts and try your hand at doing a group editorial assessment.

  • Intro to the Edit Letter
  • Writing to a “real” person”
  • Editorial assessments & critiques
  • Constructive feedback
  • Workshop: Conduct an editorial assessment of an excerpt of a sample manuscript in groups

Assignment #2: Using an assigned manuscript, conduct an editorial assessment, evaluating strengths, weaknesses, and initial impressions on publication.

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06
MON (11/2), 5 PM PT/8 PM ET
The Editor & the Book: Developmental Editing

Learn how to diagnose plot holes, strengthen characters, enhance pacing, and polish narrative structure. You’ll also see how developmental edits fit into the overall editorial letter.

  • Pre-edit conversation with author
  • Developmental/content editing
  • Finding inconsistencies:
  • Integrating developmental edits into the edit letter

Assignment #3: Read, evaluate and write a 1-2 page editorial letter focused on developmental and line edits for a manuscript.

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07
THU (11/5), 5 PM PT/8 PM ET
The Editor & the Book: Line Editing

Line editing refines the manuscript’s rhythm, clarity, and style. Focus on word choice, pacing, dialogue, and audience perspective, all while honoring the author’s voice.

  • Style & maintaining author voice
  • Developmental edits
  • Cutting text
  • Pacing
  • Editing dialogue
  • Audience perspective
  • Group Demo: Line edit manuscript excerpts
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08
MON (11/9), 5 PM PT/8 PM ET
The Editor & the Author + Guest Speaker

Editing is more than notes on a page – it’s empathy, trust, and collaboration. Hear directly from New York Times bestselling author Delilah S. Dawson on what makes editor-author relationships thrive (and survive).

  • Editing as an act of empathy
  • Initiating & cultivating author relationships
  • How authors prefer to be edited
  • Negotiating feedback and finding compromise
  • Guest Speaker: Author, New York Times Bestselling author Delilah S. Dawson, discussing the importance of author/editor relationships.
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09
THU (11/12), 5 PM PT/8 PM ET
The Editor & Design + Production

Explore scheduling, production workflows, and cover design elements. Learn how to coordinate between designers, authors, and teams to ensure a smooth book launch.

  • Building effective schedules
  • Parts of the production process 
  • Group Demo: Managing production timelines 
  • Cover design consultation & author liaising
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10
MON (11/16), 5 PM PT/8 PM ET
The Editor & the Author: Part 2 + Guest Speaker

Handle tricky conversations, negotiate critiques, and learn more about the author-editor relationship from an award-winning author, Fran Wilde.

  • Build on concepts from Class 8
  • Handling difficult conversations
  • Writing for different mediums 
  • Guest Speaker: Award-winning author, Fran Wilde
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11
THU (11/19), 5 PM PT/8 PM ET
Style Guides & Copy Editing + Guest Speaker

Explore the 4 Cs – clarity, coherence, consistency, correctness – and see how copyediting and proofreading strengthen narratives without erasing the author’s voice. Learn from a top production editor on how to work with authors and as a freelancer.

  • The 4 Cs
  • Style and maintaining author voice
  • Grammar & mechanical errors
  • Working as a freelance copyeditor
  • Guest Speaker: Abby Duval - Production Editor, Penguin Random House
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12
MON (11/23), 5 PM PT/8 PM ET
The Editor & Marketing, PR, Sales

Editors aren’t just story shepherds—they’re ambassadors for the book. Learn to support sales, marketing, and PR teams, craft TI sheets, and write copy that converts.

  • How Sales “sells” books
  • Supporting M&PR
  • Title information sheets
  • The tenets of effective book copy

Assignment #4: Create a TI sheet or Internal Launch Script.

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13
MON (11/30), 5 PM PT/8 PM ET
Workshop: Cover Brief

Work collaboratively in a group to define a cover approach for a short story. Share and present as part of a larger class discussion on book cover design, audience, etc.

  • Choosing a story & writing a brief for a book cover designer 
  • Working in groups & presenting a cover brief
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14
THU (12/3), 5 PM PT/8 PM ET
Workshop: The Edit Letter

Read, discuss, and critique student edit letters with a focus on clarity, tone, style, and substance – negotiating revisions like a pro.

  • Resolving feedback
  • Peer-to-peer edit letter review
  • Inhabiting & experiencing the Author/Editor relationship
  • Practical application & negotiation
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15
MON (12/7), 5 PM PT/8 PM ET
Networking, Careers & Job Search

Learn how to build meaningful industry connections, ace informational interviews, and approach job applications with editorial savvy.

  • Effective networking
  • Informational interviews
  • Open job ads
  • Cover letter & resume tactics
  • Case Study: Job ads & resume/cover letter review
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16
THU (12/10), 5 PM PT/8 PM ET
Publishing Industry: Future Trends + Student Choice

From BookTok influence to AI ethics, understand the trends that will shape the books of tomorrow. Class will also incorporate deep dives into topics identified by students throughout the course to ensure the final class is tailored to your needs and interests.

  • Impact of book bans
  • Social media trends
  • Tech and ethical trends
  • Student choice topics
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What our students say

Jennifer Orengo
Author of the Shadows of Everlight series and the Moonseer trilogy "I would recommend this course to anyone interested in editing or working in the publishing industry. It provides a strong introduction to editorial responsibilities, practical assignments, valuable industry insights, and a supportive environment for developing professional skills and confidence. "
Marie Bell
Digital Marketing Manager | West Region at Colliers "I would tell them that it is worth the investment if they are interested in learning more about this industry."
Tisha Martin Mills
CEO and Tisha Martin Editorial, LLC "Participating in Editor in Book Publishing with instructor Julia Wallace exceeded my anticipations. Julia is an incredibly delightful human and book expert, guiding a class of 75 students in the foundations of book publishing. As a seasoned editor myself, I came away from this class with more editorial polish, insights, and encouragement. Including a lovely community of writers and editors who are sure to be friends and colleagues into the future."
Amal Samuel
"I took the 8 week Editor in Book Publishing course with Tom Hoeler and it was fantastic! Tom was such a great instructor, very open, encouraging and down to earth. The whole team was terrific. I learned a lot about the publishing industry which I have been interested in starting a new career in. Highly recommend taking this course!"
Grace Gillingham
"I loved the hands-on exercises as they gave real-world experience to practice what we had learned. Each lesson was valuable due to Julia's breadth of knowledge, her kindness, and her network, who joined to guest speak during some of our lessons. The professionals in this course were one of a kind."
Sara Stewart
"As someone who is completely new to the book publishing industry, I was able to receive a wealth of knowledge that leaves me more confident than ever to pursue freelancing. I really enjoyed all of the class engagement with other students. The discord channel has been INCREDIBLY helpful for not just information but networking as well."
Stephanie Waldo
"There are so many things to enjoy with this course! Our instructor and guest speakers were very knowledgeable in varying sections of the industry providing this course with different perspectives and areas of expertise. The accessibility to the resources and job opportunities was incredibly inclusive. Additionally having the discord server to be able to connect with others in the course outside of class time was so beneficial to creating connections and learning together. I would recommend this course to anyone interested in understanding the business of publishing!"
Hanna Horn
Freelance Editor "To go for it if they're really passionate about this career option!"
Jes Cervantes
Associate Director, Social Content & Engagement Strategy "Great course where you'll learn the ins and outs of the publishing world and gain feedback from the instructor but peers also!"
Katherine Dillon
"This is a great course if you're interested in a career in book editing but aren't familiar with the publishing landscape."
Abegail Reed
"I would tell them that though it may seem difficult at first, all the resources provided and flexibility throughout make things sail pretty smoothly"
Eden Celeste Tullis
"It's worth their time and money if you are willing to put in the effort! "
Hannah Davis
Kitchen assistant at Whealth Kitchen "I would say that it's convenient for busy people that are looking for a flexible course. And it's great that you're learning from people that are professionals in the field you're learning about."
Nimna-Uththara Perera
Editor at Nth Draft Editing "To most certainly do the course and it is worth the money. One big part for me was the course fee and I was debating whether to spend it on this or something else. Thank God I didn't spend it on something else :)"
Morgan T. Gallagher
Maine High School English & Media Literacy Teacher "ELVTR offers great introductory programs if you want to dip your toe in and learn something new!"
Alia Loureiro
Marketing Specialist at AvaLux "If you looking to gain a new skill and learn about the different avenues and ways to get into book publishing to take this course. "
Deborah Iris Louise Hawkins
"I would tell them to take the class because it is well crafted, from google classroom and discord, to the constant updating done by Marina. There is no way to get lost or left behind. "
Kimberly Armstrong
"It's a really great introduction to all things editorial. I didn't have any idea of the many roles an editor could take. So, it was really helpful to learn about each role and what really might work best with our interests and where we might be able to pursue those, whether freelance or working for a publishing house or even how to do both. "
Jane Looby
Nail technician "I’m glad I took the class and did get a better understanding of the publishing industry. I used the assignments to construct a portfolio which will make me more confident when looking for editing work. "
Melissa Harmon
"The course is helpful in a variety of areas, from networking and job search resources to functional knowledge. "
Rachel Rebecca Bierman
"Good for beginners who want to learn about the basics of the industry, you learn about the different types of editors and their responsibilities and offer real world examples of the work."
Elizabeth Shepherd
Middle School Librarian, Tennessee "Just finished the Editing in Book Publishing with Julia Wallace and it was fantastic. Talk about a crash course in publishing from someone who is literally in the thick of it. She was a wonderful teacher and I feel so much more prepared to head into the world of freelance editing."
Shinjini Nag
"I would tell them this is perfect as an introduction to the publishing world—whether you want to specifically be an editor or not."
Deepa Patel
"That it is an essential class to understand the publishing space"
Jessica Pust
"I completed the Editor in Book Publishing Course with Tom and I can't say enough good things! 5 stars may be insufficient. If you can dedicate your time to giving this course your all, it will repay you in bounds!"
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