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LIVE ONLINE COURSE
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EDITOR IN BOOK PUBLISHING

Dates: 15 JAN 2026 - 9 MAR 2026
Duration: 8 WEEKS
MONDAYS & THURSDAYS
5 PM PT / 8 PM ET
TOM HOELER
RANDOM HOUSE WORLDS
Tom Hoeler
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE ON BOOK EDITING
DATES:
15 JAN 2026 - 9 MAR 2026
DURATION:
8 WEEKS
MONDAYS & THURSDAYS
5 PM PT / 8 PM ET

Turn raw manuscripts into shelf-ready bestsellers. Every great book needs a great editor behind it.

Tom Hoeler, Editorial Director of Fiction & Special Projects at Random House Worlds (Penguin Random House), will teach you the real editorial craft from first draft to launch day.

THIS COURSE IS FOR YOU, IF...

  • YOU ARE A STUDENT OR RECENT GRAD

     

    Publishing feels like a closed world? We’ll open the doors. It’s a clear, insider’s look at how the industry actually works, from editing manuscripts to collaborating across departments. You’ll gain real editing practice, discover career paths you didn’t know existed, and start building a network that can help you land your first role.

  • YOU ARE AN ENTRY-LEVEL PUBLISHING PROFESSIONAL

     

    Ready to step into editorial but don’t know what it really takes? Or maybe you’re already in editorial and want to sharpen your edge for the next promotion. This course hands you the frameworks, rubrics, and people-skills editors use every day, from supporting an author to syncing with Sales, Marketing, and Design.

  • YOU ARE AN EXPERIENCED PRO PIVOTING INTO PUBLISHING

     

    You’ve got career experience but little visibility into publishing? We’ll get you up to speed. This book editor course demystifies the editor’s role, shows you how books move from draft to shelf, and helps you identify how your existing skills transfer, while giving you the tools to step confidently into this industry.

Our students work in 1600+ companies worldwide

  • Google logo
  • Apple logo
  • Ubisoft logo
  • Microsoft logo
  • Blizzard logo
  • Uber logo
  • Epic Games logo
  • Amazon logo
  • Spotify logo
  • Meta logo
  • PlayStation Studios logo
  • Nike logo
 
ABOUT THE COURSE / WHAT YOU'LL DO
01
PRACTICAL FOCUS

We take you inside every stage of book publishing: acquisition and contracts to editing, design, and marketing. Each lesson zeroes in on a critical skill, blending industry knowledge with hands-on assignments so you both learn the theory and practice the real job.

02
INDUSTRY INSIGHTS

Get practical with workshops on manuscript assessments, cover briefs, and edit letters, then hear directly from bestselling authors and publishing pros on what makes the editor–author relationship work: real talk from the people shaping today’s book market.

03
EDITORIAL PORTFOLIO

Your capstone is the calling card of every publishing professional. From a polished TI sheet to a launch script or cover brief and full editorial letter, you’ll walk away with work samples that prove you can think like an editor and deliver at industry standard.

INSTRUCTOR
  • Leads Fiction and Special Projects as Editorial Director at Random House Worlds (Penguin Random House), shaping publishing programs for global franchises and original works
  • Brings over a decade of experience in science fiction and fantasy publishing, developing best-in-class books with top authors and entertainment brands
  • Directed the Star Wars novel program in partnership with Lucasfilm, including the #1 New York Times bestselling High Republic publishing initiative
  • Launched the Stranger Things fiction program in partnership with Netflix, and collaborated with powerhouse brands such as Blizzard Entertainment, Wizards of the Coast, DC Comics, Marvel, and Disney
  • Partnered with bestselling authors including Terry Brooks, Delilah S. Dawson, George R.R. Martin, Rebecca Roanhorse, Madeleine Roux, Charles Soule, Chuck Wendig, and Timothy Zahn
  • Guided the publication of 25+ New York Times bestselling novels, including three #1 hardcover bestsellers
Instructor Tom Hoeler
syllabus
00
MON (1/12), 5 PM PT/8 PM ET
Welcome Class

Kick off your publishing journey! Meet your instructor, get a rundown of the course, and set expectations for what you’ll gain, and what this course isn’t. We'll also touch on using AI responsibly in your editorial workflow (think cautionary tales, not shortcuts).

  • Instructor introduction
  • General housekeeping
  • Class and assignment overview

Assignment #0 (Optional): Write a 4–5 page fiction piece (~5,000 words) to use in upcoming assignments.

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01
THU (1/15), 5 PM PT/8 PM ET
The Publishing Landscape

Step inside the world of publishing, from the Big Five to indie upstarts, and see where editors really operate. Explore the ecosystem of print, digital, and audiobooks, and dive into case studies on bookseller revitalization that show publishing in action.

  • Game design: Genres & platforms
  • Core overview
  • Book formats
  • Case study: Bookseller revitalization

Assignment #1: Read 3–4 author profiles and recommend their ideal publishing path.

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02
TUE (1/20), 5 PM PT/8 PM ET
The Role of an Editor

From acquisitions to line edits, this class is your editorial roadmap. We’ll explore the “life of a book,” tools for tracking projects and reading, and how to read like an editor, not just a reader. Learn the subtle art of giving feedback that goes beyond “boring” to “here’s why it’s not working.”

  • Types of editors
  • “Life of a book”
  • Tools for editors
  • Editor role
  • Discussion: What is the difference between an editor and reader?
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03
THU (1/22), 5 PM PT/8 PM ET
Acquisition: How An Editor Acquires A Book

Unpack the magic behind acquisition: what draws an editor to a manuscript, and how vision, market awareness, and value drive decisions. Demo a query letter, explore comps, and see how to translate assessment into acquisition strategy.

  • Assessing manuscripts
  • Demo: Query Letter
  • Evaluation criteria
  • Demo: Approaching the first chapter/short story
  • Publishing vision
  • Value & acquisition
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04
MON (1/26), 5 PM PT/8 PM ET
The Editor & the Contract: Buying A Book

From first offer to final signature, learn how editors negotiate, collaborate with agents, and understand contract nuances. A P&L breakdown demo will show you how acquisition decisions make dollars and sense.

  • Offer & contract process
  • Types of negotiation
  • Working with agents
  • Demo: In-depth P&L breakdown
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05
THU (1/29), 5 PM PT/8 PM ET
The Editor & the Edit

Time to roll up your sleeves. Discover how to give feedback that’s insightful, actionable, and respectful. Practice your editorial voice on sample manuscripts and see the instructor demonstrate a live editorial discussion.

  • Edit Letter
  • Writing to a “real” person”
  • Editorial assessments & critiques
  • Constructive feedback
  • Workshop: Conduct an editorial assessment of an excerpt of a sample manuscript
  • Demo: Mock editorial discussion

Assignment #2: Using an assigned manuscript, conduct an editorial assessment, evaluating strengths, weaknesses, and initial impressions on publication.

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06
MON (2/2), 5 PM PT/8 PM ET
The Editor & the Book: Developmental Editing

Learn how to diagnose plot holes, strengthen characters, enhance pacing, and polish narrative structure. You’ll also see how developmental edits fit into the overall editorial letter.

  • Pre-edit conversation with author
  • Developmental/content editing
  • Finding inconsistencies:
  • Integrating developmental edits into the edit letter

Assignment #3: Read, evaluate and write a 1-2 page editorial letter focused on developmental and line edits for a manuscript.

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07
THU (2/5), 5 PM PT/8 PM ET
The Editor & the Book: Line Editing

Line editing refines the manuscript’s rhythm, clarity, and style. Focus on word choice, pacing, dialogue, and audience perspective, all while honoring the author’s voice.

  • Style & maintaining author voice
  • Developmental edits
  • Cutting text
  • Pacing
  • Editing dialogue
  • Audience perspective
  • Demo: Line edit a manuscript excerpt
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08
MON (2/9), 5 PM PT/8 PM ET
The Editor & the Author + Guest Speaker

Editing is more than notes on a page – it’s empathy, trust, and collaboration. Hear directly from New York Times bestselling author Delilah S. Dawson on what makes editor-author relationships thrive (and survive).

  • Relationships
  • Editing as an act of empathy
  • Initiating & cultivating author relationships
  • Pre and post acquisition
  • Pre and post the start of editorial work
  • Guest Speaker: Author, New York Times Bestselling author Delilah S. Dawson, discussing the importance of author/editor relationships.
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09
THU (2/12), 5 PM PT/8 PM ET
The Editor & Design + Production

Explore scheduling, production workflows, and cover design elements. Learn how to coordinate between designers, authors, and teams to ensure a smooth book launch.

  • Building effective schedules
  • Parts of the production process
  • Demo: Managing production timelines
  • Handoffs to other teams & meeting deadlines
  • Cover design
  • Cover designer & author liaising
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10
TUE (2/17), 5 PM PT/8 PM ET
Workshop: Cover Brief

Put theory into practice: build a cover brief, present ideas to the class, and get feedback on audience targeting and visual storytelling.

Pre-class assignment: Read short story, build inspirations for a cover brief to use in the workshop.

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11
THU (2/19), 5 PM PT/8 PM ET
The Editor & Marketing, PR, Sales

Editors aren’t just story shepherds—they’re ambassadors for the book. Learn to support sales, marketing, and PR teams, craft TI sheets, and write copy that converts.

  • How Sales “sells” books
  • Supporting M&PR
  • Title information sheets
  • The tenets of effective book copy
  • Setting up internal sales & marketing/pr teams

Assignment #4: Create a TI sheet + Internal Launch Script

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12
MON (2/23), 5 PM PT/8 PM ET
Style Guides & Copy Editing + Guest Speaker

Explore the 4 Cs – clarity, coherence, consistency, correctness – and see how copyediting strengthens narrative without erasing the author’s voice.

  • The 4 Cs
  • Style and maintaining author voice
  • Grammar & mechanical errors
  • Guest Speaker: Abby Duval, Production Editor, Penguin Random House
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13
THU (2/26), 5 PM PT/8 PM ET
The Editor & the Author: Part 2

Handle tricky conversations, negotiate critiques, and learn from a second author’s perspective

  • Build on concepts from Class 7
  • Handling difficult conversations
  • Guest speaker: Fiction author's perspective
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14
MON (3/2), 5 PM PT/8 PM ET
Workshop: The Edit Letter

Read, discuss, and critique student edit letters with a focus on clarity, tone, style, and substance – negotiating revisions like a pro.

  • Resolving feedback
  • Peer-to-peer edit letter review
  • Practical application & negotiation
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15
THU (3/5), 5 PM PT/8 PM ET
Networking, Careers & Job Search

Learn how to build meaningful industry connections, ace informational interviews, and approach job applications with editorial savvy.

  • Effective networking
  • Informational interviews
  • Open job ads
  • Cover letter & resume tactics
  • Case Study: Job ads & resume/cover letter review
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16
MON (3/9), 5 PM PT/8 PM ET
Publishing Industry: Future Trends

From BookTok influence to AI ethics, understand the trends that will shape the books of tomorrow.

  • Impact of book bans
  • Social media trends
  • Tech and ethical trends
  • Case Study: Decline in US reading
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What our students say

Student Rebecca Kouwe
Rebecca Kouwe
HUMAN RESOURCES ANALYTICS
"I really enjoy the format of the course. Lectures with real life examples and an ongoing case study. Also built in 20 minutes at the end of each class for questions is helpful."
Student Hayley Smith
Hayley Smith
BRANDING 101
"Overall I'm impressed with the level of detail and explanation around particular topics and subjects. There's a real depth to each module which for learning allows the information to stay in your brain."
Student Carlos Andres
Carlos Andres
BECOME AN ART DIRECTOR
"The group activities, they allow us to interact and exchange ideas, plus the way it is structured is challenging and mind twisting as we collaborate in different parts of the ideation."
Student Courtney Fulton
Courtney Fulton
WOMEN IN LEADERSHIP
"I enjoyed the structure of the class. I like how we learned about a topic and practiced it in the workshops. It’s helped me to apply what I learned!"
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