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LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE

FILM SOUND DESIGN

Dates: 8 SEP 2026 - 22 OCT 2026
Duration: 7 WEEKS
TUESDAYS & THURSDAYS
5 PM PT / 8 PM ET
LUKE GIBLEON
SOUND DESIGNER & EDITOR
Luke Gibleon
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE ON SOUND DESIGN FOR FILM AND  TV
DATES:
8 SEP 2026 - 22 OCT 2026
DURATION:
7 WEEKS
TUESDAYS & THURSDAYS
5 PM PT / 8 PM ET

Master the full film sound pipeline the way it’s done on a Hollywood production.

Learn blockbuster film sound workflows with Luke Gibleon, a 5-time Emmy-nominated pro, to deliver a cinematic action scene worthy of your reel and your next opportunity.

THIS COURSE IS FOR YOU, IF...

  • YOU’RE AN ASPIRING SOUND DESIGNER

     

    You’ve watched the tutorials, experimented in your DAW, and built a few sounds on your own, but are unsure about professional film workflows. Learn how to work like a professional sound designer, collaborate across departments, and leave with a polished action sequence that proves you can handle more than hobby projects.

  • YOU’RE A MUSIC OR AUDIO PRO TRANSITIONING INTO FILM

     

    You already understand audio. What you need is a cinematic workflow. This film sound design course helps you adapt your existing skills to film and streaming productions by teaching the structure, pacing, organization, and storytelling techniques used in Hollywood post. Instead of guessing how film sound teams operate, you’ll experience the pipeline firsthand.

  • YOU’RE A VIDEO EDITOR OR ASSISTANT

     

    You already know how powerful a picture can be. Now learn how sound shapes tension, emotion, pacing, and impact. By understanding dialogue editing, ambience building, Foley, mixing, and post-production workflows, you’ll become far more valuable on collaborative productions — especially in fast-moving film, advertising, and streaming environments.

  • YOU’RE A SOUND DESIGNER READY FOR BIGGER PROJECTS

     

    Making sound effects is one thing. Managing a 200-track cinematic session under professional delivery standards is another. This course focuses on the large-scale workflows studios expect today — routing, checkerboarding, spatial audio, organization, troubleshooting, and theatrical-style mixing. You’ll sharpen both your creative instincts and your technical confidence while building a portfolio piece designed to open doors.

Our students work in 1600+ companies worldwide

  • Google logo
  • Apple logo
  • Ubisoft logo
  • Microsoft logo
  • Blizzard logo
  • Uber logo
  • Epic Games logo
  • Amazon logo
  • Spotify logo
  • Meta logo
  • PlayStation Studios logo
  • Nike logo
 
ABOUT THE COURSE / WHAT YOU'LL DO
01
REAL-WORLD EXERCISES

This course is built around doing the work professionals actually do every day. Through assignments, demos, and guided scene work, you’ll practice dialogue editing, ambience creation, Foley, cinematic effects, mixing, routing, and session organization inside a real production-style workflow.

02
IN-DEPTH CASE STUDIES

Break down the sound design choices behind productions like Dune, Saving Private Ryan, Jurassic Park, and Breaking Bad while learning how modern post teams approach storytelling, spatial audio, action mixing, and cinematic immersion. You’ll gain practical insight into how high-level sound decisions shape the audience experience.

03
PORTFOLIO PROJECT

Your final project isn’t a practice file buried on your hard drive. You’ll complete a portfolio-ready action sequence from John Wick: Ballerina that demonstrates your technical skill, creative decision-making, and ability to work within professional delivery standards. It’s the kind of project that helps clients, recruiters, and studios take your work seriously.

INSTRUCTOR

LUKE GIBLEON

Portfolio
  • Supervised and designed sound for major productions including Mufasa: The Lion King, Bullet Train, and the John Wick franchise
  • Worked on acclaimed series including Game of Thrones, Twin Peaks, and Lovecraft Country
  • Earned 5 Primetime Emmy nominations for outstanding sound work in film and television
  • Won 4 MPSE Golden Reel Awards alongside multiple additional nominations
  • Specialized in cinematic action, immersive sound storytelling, dialogue, and large-scale post-production workflows
  • Holds a dual Bachelor’s degree from Berklee College of Music focused on Film Scoring and Music Production & Engineering
Instructor Luke Gibleon
syllabus
00
THU (9/3), 5 PM PT/8 PM ET
Welcome Class

Get oriented, meet your instructor, and map out the full post-production journey ahead. You’ll unpack the course structure, final project expectations, and the real-world tools used by working film sound professionals.

  • Instructor intro 
  • Course structure
  • Assignments & final project overview
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01
TUE (9/8), 5 PM PT/8 PM ET
Introduction to Film Sound Design

Discover how sound transforms moving images into emotional experiences. Break down the anatomy of cinematic audio and explore how legendary films use dialogue, effects, and music to shape tension, realism, and storytelling.

  • The role of a Film Sound Designer
  • Understanding the film sound workflow in post-production
  • Key differences between music & film audio
  • The three layers of film audio: Dialogue, effects, & music
  • Case Study: Analyzing iconic films known for sound design (Star Wars, Jurassic Park, Bourne Identity, Saving Private Ryan, Dune)
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02
THU (9/10), 5 PM PT/8 PM ET
Fundamentals of Film Audio

Learn how professional sound teams build the sonic foundation of a film from spotting sessions to final sync. You’ll explore how audio decisions are planned, organized, and optimized long before the final mix begins.

  • Post-production sound team & categories
  • Exploring diegetic & non-diegetic sound
  • Syncing sound to picture: Challenges & techniques
  • Workflow optimization between sound & visual departments
  • Spotting with filmmakers
  • Demo: Spotting a reel for sound

Assignment #1: Sound Analysis
Pick a favorite film or TV show and write a short essay on how sound is used to help tell the story. 

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03
TUE (9/15), 5 PM PT/8 PM ET
Dialogue Editing, ADR + Guest Speaker

Clean, repair, and reshape dialogue into something audiences never notice — because it simply works. Learn the craft behind seamless ADR, noise reduction, and modern AI-assisted dialogue workflows used in professional post-production.

  • Dialogue assembly from sound rolls & AAF
  • Editing, cleaning & enhancing on-set dialogue recordings
  • Understanding automated dialogue replacement (ADR)
  • Techniques for seamlessly integrating ADR into scenes
  • AI for replacement, noise repair & "Temp ADR" generation

Assignment #2: Dialogue Editing
Take a raw dialogue file provided by the instructor, perform a clean edit, and execute a noise reduction pass.

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04
THU (9/17), 5 PM PT/8 PM ET
Environmental & Ambient Sound Design

Build immersive worlds using atmosphere, texture, and subtle sonic detail. Learn how layered ambience transforms flat scenes into emotionally charged cinematic environments that feel alive.

  • Basic ambience creation & editing
  • Using tone & environmental sound to support the dialogue track
  • Building atmosphere through background sounds
  • Categories, checkerboarding, organization
  • Story-driven & emotional ambience
  • Demo: Building ambience in a scene

Assignment #3: Building the Backgrounds
Cut and build the background ambiences for scenes provided by the instructor. Organize your tracks using proper checkerboarding and create a dense, realistic environment by stacking multiple layers per category.

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05
TUE (9/22), 5 PM PT/8 PM ET
Foley Art

Turn everyday objects into believable cinematic movement and texture. Explore the physical artistry of foley and learn how synced sound adds realism, rhythm, and tactile energy to every scene.

  • Introduction to foley: Purpose & creative potential
  • Creating organic sounds with everyday objects
  • Syncing foley with on-screen movement
  • Demo: Cueing foley for a scene & DIY foley 
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06
THU (9/24), 5 PM PT/8 PM ET
Sound Effects Creation & Integration

Design impactful sound effects that sell every hit, crash, engine, and mechanical detail on screen. Learn how professionals layer, shape, and integrate effects to create believable cinematic action.

  • Hard FX builds: Doors, vehicles, tech, sirens, glass, crashes, MISC FX
  • Using libraries vs. recording custom effects
  • Demo: Crafting a custom sound effect for a short scene
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07
TUE (9/29), 5 PM PT/8 PM ET
Advanced Sound FX & Design

Push beyond realism into large-scale cinematic sound design. Craft explosive action sequences, dynamic movement, and high-intensity sonic builds that elevate tension and spectacle.

  • Fights
  • Guns & explosions
  • Car chases

Assignment #4: The Hard FX Build
Cut FX for 2-3 small clips provided by the instructor.

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08
THU (10/1), 5 PM PT/8 PM ET
Creative Sound Design for Film, Television & Storytelling

Explore the imaginative side of sound by designing audio for fantasy, horror, sci-fi, and psychological storytelling. Learn how sound manipulates emotion, genre, and audience expectation in ways visuals alone never could.

  • Designing sounds for unreal elements (e.g., monsters, spaceships)
  • Horror design: Cinematic stingers & risers
  • Storytelling with design & working with music
  • Workshop: Sound-to-scene match challenge
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09
TUE (10/6), 5 PM PT/8 PM ET
Mixing & Balancing Film Audio + Guest Speaker

Learn how professional mixers balance dialogue, music, foley, and effects into a cohesive cinematic experience. Develop the technical and creative instincts needed to keep story, clarity, and emotion working together in every mix.

  • Understanding the film mix: Levels & dynamics
  • Mixing individual groups, dial, BGs, foley, FX, music
  • Equalization, compression, reverb in film audio
  • Combining & mixing groups together: Focus on story
  • Long-form vs. short-form mixing workflows

Assignment #5: Commercial Mix
Mix a 15-30 second commercial spot provided by the instructor from scratch. Assets must be organized, routed to the correct tracks, and mixed to professional standards.

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10
THU (10/8), 5 PM PT/8 PM ET
Advanced Mixing: Spatial Audio, Formats & Deliveries

Step into immersive cinematic mixing with surround sound and spatial audio workflows. Explore how advanced formats like Atmos shape audience perception, movement, and emotional immersion across different viewing platforms.

  • Basics of surround sound formats: Atmos
  • Positioning sounds in a cinematic space: Deliveries, formats, styles
  • Adapting the mix philosophy based on the project's narrative needs
  • Techniques for enhancing immersion through spatial audio
  • Case Study: Films with great spatial audio (Saving Private Ryan, Sinners, Dune, Breaking Bad)
  • Demo: Balancing a scene's audio elements in real time
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11
TUE (10/13), 5 PM PT/8 PM ET
Advanced  Techniques

Master the professional workflows that keep large-scale post-production running smoothly. Learn how to manage deliverables, adapt to constant picture changes, and navigate the technical realities of modern film audio pipelines.

  • Standard deliverables
  • Music & effects (M&E) mixes
  • Conforming to picture changes: Matchbox
  • Additional tools, plugins, library management
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12
THU (10/15), 5 PM PT/8 PM ET
Troubleshooting & Problem-Solving in Post-Production

Develop the calm-under-pressure mindset every sound professional needs. Diagnose broken turnovers, sync issues, and technical disasters while learning practical strategies to rescue difficult projects under real-world deadlines.

  • Identifying common sound issues in films
  • Techniques for fixing audio sync problems & software literacy
  • Optimizing the listening environment & technical specs 
  • Troubleshooting for filmmakers or supervisors
  • Managing tight deadlines & limited resources
  • Demo: Diagnosing & resolving a problematic scene/turnover

Assignment #6: Final Course Project — The Ballerina Edit
Choose 1 of 3 provided scenes from the John Wick film Ballerina. Cut basic and advanced effects, design backgrounds, and mix these elements alongside provided dialogue, foley, and music stems.

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13
TUE (10/20), 5 PM PT/8 PM ET
Career Development in Film Sound Design

Learn how to position yourself professionally in the film and television industry. Build a portfolio that showcases your strengths, navigate freelance vs. studio career paths, and develop strategies for networking and industry outreach.

  • Building a portfolio & demo reel for the film industry
  • Networking with film professionals & studios
  • Exploring freelance vs. in-house career paths
  • Reaching out to film studios
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14
THU (10/22), 5 PM PT/8 PM ET
Peer Review & Collaborative Feedback Session

Experience the collaborative review process used in professional post-production environments. Present your final work, defend your creative decisions, and sharpen your critical listening skills through structured peer and instructor feedback.

  • Students submit their final Ballerina projects in advance
  • During class, students break into small groups to review each other’s projects using a structured rubric provided by the instructor
  • Instructor facilitates a group discussion to highlight key takeaways, trends, and improvements observed across submissions
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What our students say

Student Rebecca Kouwe
Rebecca Kouwe
HUMAN RESOURCES ANALYTICS
"I really enjoy the format of the course. Lectures with real life examples and an ongoing case study. Also built in 20 minutes at the end of each class for questions is helpful."
Student Hayley Smith
Hayley Smith
BRANDING 101
"Overall I'm impressed with the level of detail and explanation around particular topics and subjects. There's a real depth to each module which for learning allows the information to stay in your brain."
Student Carlos Andres
Carlos Andres
BECOME AN ART DIRECTOR
"The group activities, they allow us to interact and exchange ideas, plus the way it is structured is challenging and mind twisting as we collaborate in different parts of the ideation."
Student Courtney Fulton
Courtney Fulton
WOMEN IN LEADERSHIP
"I enjoyed the structure of the class. I like how we learned about a topic and practiced it in the workshops. It’s helped me to apply what I learned!"
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