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LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE

FILMMAKING

Dates: 17 SEP 2025 - 17 NOV 2025
Duration: 9 WEEKS
MONDAYS & WEDNESDAYS
5:30 PM PST / 8:30 PM EST
W.D. HOGAN
IMAX, NETFLIX, SONY
W.D. Hogan
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
ON FILMMAKING
DATES:
17 SEP 2025 - 17 NOV 2025
DURATION:
9 WEEKS
MONDAYS & WEDNESDAYS
5:30 PM PST / 8:30 PM EST

From script to screen — learn to run the show. Master every stage of filmmaking with real-world tools, schedules, and strategies.

W.D. Hogan, Director & Storyboard Artist who worked on Mortal Combat, Space Jam, Jerry Maguire, will give you the structure to make your first (or next) film a fully planned reality.

THIS COURSE IS FOR YOU, IF...

  • YOU ARE A WRITER OR STORYBOARD ARTIST

     

    You’ve nailed the concept — now make it production-ready. This filmmaking course shows you how to translate a story into screen by planning with clarity and profitability. Learn how to write with real-world constraints in mind, storyboard for efficiency, and pitch with visual impact. From creative ideation to practical execution, you'll gain the tools to make your vision tangible — and shootable.

  • YOU ARE A DIRECTOR OR PRODUCER

     

    Direct smarter, produce sharper. This course helps you level up your creative leadership by merging vision with business. Whether you're managing processes on set or prepping for the pitch room, you'll refine your storytelling, organize your workflow, and lead with confidence. Build a deck that lands, a plan that holds, and a process that gets your project over the finish line — on time and on budget.

  • YOU ARE A INDIE FILMMAKER OR PRODUCTION PRO

     

    You’ve worn every hat — now streamline the hustle. These filmmaking classes will turn your raw idea into a fully structured, investor-ready package. Learn how to reverse-engineer creative choices to fit your budget, build lean production plans, and craft pitch materials that open doors. You’ll leave with a visual strategy, marketing roadmap, and the confidence to make your film make sense — to funders, collaborators, and audiences alike.

Our students work in 1600+ companies worldwide

  • Google logo
  • Apple logo
  • Ubisoft logo
  • Microsoft logo
  • Blizzard logo
  • Uber logo
  • Epic Games logo
  • Amazon logo
  • Spotify logo
  • Meta logo
  • PlayStation Studios logo
  • Nike logo
 
ABOUT THE COURSE / WHAT YOU'LL DO
01
COMPREHENSIVE PROGRAM

With 18 punchy classes and 8 practical workshops, you’ll break down scripts, scout locations, schedule like a producer, and pitch like your project depends on it (because it does). It’s your filmmaking toolkit in action, with real-world skills you’ll actually use.

02
INDUSTRY INSIGHTS

Great films open doors, but smart strategy keeps them open. Learn how to build a reel that speaks for you, forge real industry connections with confidence, and future-proof your path in an ever-evolving industry. Staying relevant happens only by design.

03
PORTFOLIO BOOST

Wrap the course with a final project that screams “I’m ready.” Craft a rock-solid Filmmaking Plan, a pitch-worthy Vision Deck, and — if you’re feeling bold — a sizzle trailer that shows your story in motion. It’s going to be a launchpad for your next big move.

INSTRUCTOR
  • Directed IMAX 3D documentary Asteroid Hunters, still playing in theaters globally as of 2025.
  • Shaped visual storytelling on major productions like Stranger Things (S5), Venom: The Last Dance, Ms. Marvel, The Sandman, True Detective, and Watchmen.
  • Storyboarded iconic titles including Mortal Kombat, Space Jam, Jerry Maguire, and projects for Warner Bros., Marvel Studios, Disney, Netflix, and more.
  • Directed a dozen TV features for NBC/Universal, SyFy, Hallmark, and eOne, plus multiple true crime series.
  • Brought action and emotion to life as storyboard artist on Red Notice, Back in Action, and Madame Web.
Instructor W.D. Hogan
INSTRUCTOR'S WORKS
Asteroid Hunters
Asteroid Hunters
Stranger Things
Stranger Things
Space Jam
Space Jam
Venom: The Last Dance
Venom: The Last Dance
The Sandman
The Sandman
Ms.Marvel
Ms.Marvel
Red Notice
Red Notice
Watchman
Watchman
Mortal Kombat
Mortal Kombat
syllabus
00
TUE (9/16), 5:30 PM PST/8:30 PM EST
Welcome Class

You’ll meet your instructor, get an overview of the course structure, and learn what to expect from assignments and the final project. No pressure—this is about setting the stage, not memorizing lines.

  • Meet your instructor
  • Course structure
  • Assignments
  • Final project overview
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01
WED (9/17), 5:30 PM PST/8:30 PM EST
Fade In: Introduction to Filmmaking

Let’s talk big picture. What kind of filmmaker do you want to be? In this class, you’ll reflect on your creative goals and the challenges you’re ready to tackle.

  • Defining your vision and goals
  • Unique challenges and rewards
  • Strengths & areas for development
  • WORKSHOP: Time to break the ice! Divide into groups and take turns introducing yourself, discussing your experiences, and what you aim to gain from the course. 

Assignment:
Write a short paragraph outlining your personal vision for filmmaking, your specific goals for this course, and your future in film, acknowledging one or two potential challenges you anticipate facing as a filmmaker.

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02
MON (9/22), 5:30 PM PST/8:30 PM EST
Popcorn and Plot Twists: Script Analysis & Development

Learn how to break down a screenplay, spot its strengths and pain points, and begin shaping your own work with clearer purpose and stronger storytelling instincts.

  • Reviewing a screenplay
  • Challenges & opportunities
  • Constructive feedback & unique strengths
  • Overseeing rewrites
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03
WED (9/24), 5:30 PM PST/8:30 PM EST
Reading Between the Reels: Script Analysis and Development #2

Dig deeper into script development—this time with an eye on production realities like budget and format.

  • Time & budget constraints
  • Formatting screenplays for production
  • WORKSHOP: Take a short scene from a well-known low-budget film and analyze it for elements like visual storytelling, dialogue, and how the scene contributes to the overall narrative within resource constraints.
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04
MON (9/29), 5:30 PM PST/8:30 PM EST
Creating a Scene: Telling Stories Visually

Discover how to communicate your vision visually—even if you “can’t draw.” Cover storyboards, concept art, vision decks, and digital tools to make your story tangible.

  • Pre-visualisation techniques
  • Where and when to use visual aids
  • Techniques for non-artists
  • Vision decks 
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05
WED (10/1), 5:30 PM PST/8:30 PM EST
Checklists and Chill: Previsualization & Planning

How do you make your vision real, while keeping costs in check? You’ll learn to build a smart, realistic budget and begin planning your production strategy.

  • Realistic and detailed budgets
  • Essential and non-essential costs
  • Cost-effective filmmaking strategies
  • Budgeting software and templates

Assignment:
Begin developing a preliminary budget for your film project. Identify at least 5 key budget categories and provide initial rough estimates for each.

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06
MON (10/6), 5:30 PM PST/8:30 PM EST
Prime Reel Estate: Location Scouting and Management

Scouting the right locations is an art form. Explore how to pitch, plan, and manage locations like a pro—even if your “scouting” starts on Google Earth.

  • Managing location logistics
  • Identifying and securing filming locations
  • Negotiating with owners and authorities
  • Creative vision & practical constraints

Assignment:
Scout locations for your project idea through Google Earth. For each location, create a brief “pitch” outlining why it would be suitable, potential logistical challenges, and initial ideas for how you would manage the location during the shoot.

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07
WED (10/8), 5:30 PM PST/8:30 PM EST
From Chaos to Calendar: Managing Pre-Production

Dive into scheduling strategies, contingency planning, and locking your script—so your shoot runs smoothly and your vision doesn’t get lost in the shuffle.

  • Scheduling & time management
  • Comprehensive production schedules
  • Contingency plans
  • Storyboards & visual planning
  • Locking a script 
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08
MON (10/13), 5:30 PM PST/8:30 PM EST
Pre-Production Blueprints: Shot Lists, Schedules, and Sanity

Break your script into scenes, days, and logistics. Learn to choreograph your shoot like a pro—before you even call “Action!”

  • Creating effective shot lists
  • Dividing scripts into shooting days
  • WORKSHOP: Take a small section of your hypothetical script and create a very basic shooting schedule for those scenes.

Assignment:
Create a character sheet listing your vision in preparation for the next class.

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09
WED (10/15), 5:30 PM PST/8:30 PM EST
Leading Leaders: Working with Department Heads + Guest Speaker

From auditions to actor agreements, you’ll explore the casting process and how to collaborate with key crew heads.

  • Collaborating with casting directors
  • Techniques for evaluating talent
  • Character needs & casting goals
  • Actor agreements and contracts
  • WORKSHOP: Using your character snapshot, hold mock “auditions” with group members and write down brief notes on what you liked or disliked about each performance.
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10
MON (10/20), 5:30 PM PST/8:30 PM EST
Crew Before the Cue: Structuring and Guiding Your Team

Discover who you need on set and why. You’ll explore roles, responsibilities, and how to balance collaboration with your creative leadership.

  • Production design & cinematography
  • Prioritising department heads
  • Crew agreements & negotiating rates
  • Translating vision into action
  • Meeting logistical and budgetary realities

Assignment:
Create a prioritized list of essential crew roles you believe you will need for your project, justifying why each role is crucial and outlining the key responsibilities they would expect from that person.

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11
WED (10/22), 5:30 PM PST/8:30 PM EST
Film Fundamentals: Camera, Lighting, and Sound + Guest Speaker

Cameras, lighting, and sound shape your story’s mood and impact. Learn the essentials and start speaking your cinematographer and sound designer’s language.

  • Camera fundamentals
  • Lighting: Mood, tone, & visibility
  • Clean dialogue & ambient audio
  • WORKSHOP: Take a short scene from a pre-designated film and create a basic shot list. Then break into groups and brainstorm potential improvements to the shots. 

Assignment:
Take a short, dialogue-heavy scene from your project and create your own detailed shot list. You can also create rough storyboard sketches for at least 3 key shots in the scene.

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12
MON (10/27), 5:30 PM PST/8:30 PM EST
Let’s Take Shots: Running an Effective Production Day + Guest Speaker

Time to talk on-set dynamics—from directing actors to syncing with your DP and AD. Learn how to lead calmly, clearly, and confidently under pressure.

  • Working with actors
  • Collaboration & managing pipelines
  • On-set communication and workflow
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13
WED (10/29), 5:30 PM PST/8:30 PM EST
Causing a Scene: Shooting and Production

On set, anything can happen. Discover how to manage time, solve problems, and adapt creatively when your perfect plan hits a snag.

  • Maximising creativity within constraints
  • Shooting day management
  • Turning limitations into creative opportunities
  • Documenting changes & adaptability
  • Creative problem-solving in real time
  • WORKSHOP: Using hypothetical scenarios detailing restraints on set resources, break into groups and brainstorm creative ways of proceeding to shoot a scene effectively.
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14
MON (11/3), 5:30 PM PST/8:30 PM EST
Splice Advice: Communication and Creative Sync with Editors

Get in sync with your editor. This session covers everything from daily footage review to creative feedback loops and legal logistics.

  • Director-editor collaboration
  • Dailies
  • Post-production: Scheduling & budgeting
  • Post-production protocols
  • Insurance, legal, & release requirements
  • Rights, clearances, & legal considerations

Assignment:
Create a basic safety checklist of at least 10 key points you would consider before starting a shoot day for your project.

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15
WED (11/5), 5:30 PM PST/8:30 PM EST
Making the Cut: Directing the Post-Production Process

Understand how editing, sound, and scoring bring your story to life—and how to guide the process from first assembly to final cut.

  • Post-production overview
  • From first assembly to rough cut
  • Aligning the edit
  • Collaboration & providing feedback

Assignment:
Create a detailed outline of your post-production workflow for your hypothetical project. This should include the key stages, an estimated timeline for each stage, and your initial thoughts on who might handle each task.

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16
MON (11/10), 5:30 PM PST/8:30 PM EST
Hit Play: Your Guide to Film Audio & Delivery

Explore the role of sound design and how to legally license music, collaborate with composers, and meet platform delivery specs.

  • Platform-specific delivery requirements
  • Finding, licensing, and clearing music legally
  • Scoring & working with composers
  • Collaborating on sound edits and design
  • WORKSHOP: Choose a key scene in your project and brainstorm the different sound elements that could enhance the scene’s atmosphere and storytelling.

Assignment:
Create a mix tape of your preferred TEMP soundtrack.

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17
WED (11/12), 5:30 PM PST/8:30 PM EST
Pitch, Please: Marketing, Promotion, & Pitching

Learn how to pitch your project to investors, festivals, and your future audience. You’ll also build out your marketing strategy—from poster to pitch deck.

  • Elevator pitch
  • Marketing strategy
  • Trailers, posters, & promo materials
  • Pitches: Investors, distributors, & festivals
  • Online presence
  • WORKSHOP: Practice crafting a compelling "elevator pitch” for their hypothetical film project.

Assignment:
Create a mock-up of one key marketing material for your hypothetical film project. This could be a poster concept, a short logline and tagline for social media, or a brief outline of a potential trailer.

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18
MON (11/17), 5:30 PM PST/8:30 PM EST
Filmmaking Futures: Building a Sustainable Film Career + Guest Speaker

Wrap up with a deep dive into career-building: from assembling a killer portfolio to networking and staying ahead of industry shifts.

  • Portfolio & reel
  • Networking & industry connections
  • Staying relevant
  • Future trends in filmmaking
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What our students say

Student Grace Gillingham
Grace Gillingham

EDITOR IN BOOK PUBLISHING

"I loved the hands-on exercises as they gave real-world experience to practice what we had learned. Each lesson was valuable due to Julia's breadth of knowledge, her kindness, and her network, who joined to guest speak during some of our lessons. The professionals in this course were one of a kind."

Student Janelle Bawayan
Janelle Bawayan

BECOME A GAME WRITER

"The course is well-paced and the resources given are quite plentiful both during the lesson and on the slides. The assignments were challenging if you were new to a particular concept (ie screenwriting) but not only was there value in the exercise, there was great value in getting feedback from professionals."

Student Nick Barstow
Nick Barstow

MUSIC COMPOSITION FOR GAMES

"A brilliant investment in myself
I took part in the 'Composing for Video Games with Jason Graves' course offered by ELVTR and it's the most valuable investment I've made in myself for a long time. I was initially wary of ELVTR, purely because I heard about them through an instagram ad and the course they were offering seemed too good to be true. Having done some research and seen the other positive reviews I signed up for the class, and I'm so glad I did.
By making the classes online and globally accessible, ELVTR allows you to connect with experts at the absolute top of their field for a really reasonable price. Jason was an incredible teacher, the course was well constructed and the assignments were marked fairly and with detailed and specific feedback.
The class became a real community, which ELVTR worked hard to foster, and many of us will meet up and work together in the future."

Student Ricardo J. Varona
Ricardo J. Varona

BECOME A GAME WRITER

"I really love getting a close look at what the industry actually looks like. Adam's perspective is awesome and the class really makes you feel like you're peering over the fence at an industry that normally feels totally inaccessible."

Student Sara Stewart
Sara Stewart

EDITOR IN BOOK PUBLISHING

"As someone who is completely new to the book publishing industry, I was able to receive a wealth of knowledge that leaves me more confident than ever to pursue freelancing. I really enjoyed all of the class engagement with other students. The discord channel has been INCREDIBLY helpful for not just information but networking as well."

Student Carla Valdes
Carla Valdes

BECOME A GAME WRITER

"Adam is a wealth of knowledge and has really opened my eyes to what to expect as a Video Game writer and developer."

Student Stephanie Waldo
Stephanie Waldo

EDITOR IN BOOK PUBLISHING

"There are so many things to enjoy with this course! Our instructor and guest speakers were very knowledgeable in varying sections of the industry providing this course with different perspectives and areas of expertise. The accessibility to the resources and job opportunities was incredibly inclusive. Additionally having the discord server to be able to connect with others in the course outside of class time was so beneficial to creating connections and learning together. I would recommend this course to anyone interested in understanding the business of publishing!"

Student Craig Gilroy
Craig Gilroy

MUSIC COMPOSITION FOR GAMES

"I loved every moment of this course. The industry level experience and wealth of knowledge. The ability to cater to all levels and maintain engagement with the students, was just first class. The content and feedback from my assignments, gave me more confidence in my skills and helped me focus on areas for improvement. It was worth every penny, without doubt!"

Student Jinx Leepack
Jinx Leepack

BECOME A GAME WRITER

"The class was worth every moment, and it was so amazing to connect with likeminded, passionate people who want to tell stories."

Student Natalie Casabone
Natalie Casabone

EDITOR IN BOOK PUBLISHING

"I thoroughly enjoyed the format of the course. This was my first introduction to Google Classrooms, and it was so easy to find assignments, recordings, resources, and the FAQ and Q&A documents. I am over the moon with the level of user practicality of this class."

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