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LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE

LIVE MUSIC EVENT PRODUCTION

Dates: 14 JAN 2026 - 11 MAR 2026
Duration: 7.5 WEEKS
MONDAYS & WEDNESDAYS
4 PM PT / 7 PM ET
MARK LEVIN
LIVE NATION
Mark Levin
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
LIVE ONLINE COURSE
ON LIVE MUSIC EVENT PRODUCTION
DATES:
14 JAN 2026 - 11 MAR 2026
DURATION:
7.5 WEEKS
MONDAYS & WEDNESDAYS
4 PM PT / 7 PM ET

From concept to curtain call, learn every step of putting on a live music show and create experiences that leave fans and artists impressed.

Master budgeting, crew management, technical logistics, and venue coordination with Mark Levin, who worked with Jack White, The Used, We Came As Romans, Teddy Swims, and many more.

THIS COURSE IS FOR YOU, IF...

  • YOU ARE AN EVENT MANAGER

     

    You know how to plan events, but want to master the production side of live music shows. We give you hands-on insight into stage plots, signal flow, logistics, and venue operations: everything you need to communicate clearly with crews and execute seamless events. Strengthen your skills, bridge the gap between teams, and level up your qualifications for tour or production management roles.

  • YOU ARE AN AUDIO / VISUAL TECH

     

    Tired of feeling siloed in your technical role? Expand your understanding of the full event ecosystem, from logistics to stage management, so your work fits seamlessly into the bigger picture. Gain cross-functional skills that open doors to higher-level technical or production leadership positions and make you an indispensable part of any team.

  • YOU ARE A MARKETING PROFESSIONAL

     

    Struggling to align campaigns with the realities of live events? This production course arms you with practical knowledge to complement your marketing expertise. Learn how to create promotional strategies, sponsorship activations, and brand experiences that work on the ground, making you a stronger candidate for roles that bridge marketing and production in live music.

Our students work in 1600+ companies worldwide

  • Google logo
  • Apple logo
  • Ubisoft logo
  • Microsoft logo
  • Blizzard logo
  • Uber logo
  • Epic Games logo
  • Amazon logo
  • Spotify logo
  • Meta logo
  • PlayStation Studios logo
  • Nike logo
 
ABOUT THE COURSE / WHAT YOU'LL DO
01
THE FULL LIFECYCLE
We packed all the essentials into one hands-on, practical lineup. You’ll explore everything from tour planning and budgeting to festival logistics, artist relations, and post-show reporting, building the skills to lead real-world events with confidence.
02
REAL-WORLD CASE STUDIES
Get a real view with festival cases like Lolapalooza & Fyre and insider sessions that show you how the industry truly works. You’ll plan run-of-show schedules, build stage plots, handle settlements, and dive into artist hospitality, all guided by a pro who does it day in and day out.
03
PRACTICAL PROJECT
Your final project is your portfolio in action. You’ll create a comprehensive tour proposal that brings together everything you’ve learned: stage plots, crew and vehicle plans, show advances, settlements, post-show reports, and venue notes.
INSTRUCTOR
  • Production Manager at Live Nation
  • Drove live experiences for major artists including Jack White, Dave Chappelle, The Used, We Came As Romans, Teddy Swims, Central Cee, Baby Keem, Babytron, and more
  • Built deep festival expertise over a decade working events like Bonnaroo, Lollapalooza, Outside Lands, Hangout Music Fest, and many more across the U.S.
  • Produces 200+ live shows annually, earning a seat on Live Nation’s Production Management Leadership Team, where he supports 15 venue production teams and helped launch a new music venue
  • Stepped into a new chapter in 2025 as Production Manager at The Fillmore, continuing to lead complex productions and elevate live show standards
  • Brings a creative edge through music video production, co-producing and filming 30+ videos with over 50 million views worldwide as part of a three-person creative team
Instructor Mark Levin
syllabus
00
TUE (1/13), 4 PM PT/7 PM ET
Welcome Class

Start your journey with an inside look at how the course will unfold. Meet your instructor, get to know the assignments, and preview the final project that will tie it all together.

  • Meet your instructor
  • Course structure overview
  • Assignments & final project breakdown
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MODULE 1

Introduction to Live Music Production

01
WED (1/14), 4 PM PT/7 PM ET
Event Production Foundations

Every live show is a moving puzzle. This session breaks down the full lifecycle of an event and the people who bring it to life—from pre-production to load-out. You’ll also explore the variety of venues where it all happens.

  • Lifecycle of an event
  • Key roles & chain of command
  • Venue types
  • Case Study: Pomplamoose 2014 
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MODULE 2

Touring

02
WED (1/21), 4 PM PT/7 PM ET
Touring Lifecycle

Behind every tour is a finely tuned machine. Learn how tours are built, financed, and managed—including budgets, crew, and revenue streams.

  • When is the right time to tour?
  • Costs of touring
  • Touring roles & responsibilities
  • Pre-production planning for tours
  • Revenue streams

Assignment #1: Create a mock tour proposal (timeline, transport, crew, vehicles). Justify your choices.

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03
MON (1/26), 4 PM PT/7 PM ET
Touring Logistics + Guest Speaker

The road is never simple. This class dives into the nuts and bolts of transportation, accommodations, freight, and crew management—with firsthand insights from a professional tour manager.

  • Advancing multi-city tours
  • Freight, transport logistics, and carnets
  • Hotel booking & per diem planning
  • Crew rotation & burnout prevention
  • Useful tools and systems
  • Guest Speaker: Tour Manager shares real-life experiences from the road

Assignment #2: Build a stage plot using Rider Maker or StagePlot Builder.

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MODULE 3

Venue

04
WED (1/28), 4 PM PT/7 PM ET
Production Scheduling & Building the Production Team

A successful show depends on assembling the right crew and working seamlessly with venues, unions, and vendors. This class shows you how.

  • Hiring crew
  • Departmental roles within venues
  • Union trade departments
  • Vendor relationships & coordination
  • Non-touring events
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05
MON (2/2), 4 PM PT/7 PM ET
Venue Setup & Advancing

From technical specs to artist requirements, advancing is where the details can make or break the show. Learn how to manage the moving parts while keeping communication clear.

  • Reading & comparing technical specifications
  • Artist advance sheets & requirements
  • Communicating with venue
  • Virtual venue tour
  • Load-in/load-out logistics
  • Sound system planning & signal flow basics
  • Lighting design & venue revenue models

Assignment #3: Respond to an artist advance as a venue production manager (scenario provided).

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06
WED (2/4), 4 PM PT/7 PM ET
Accessibility & Fan Experience

Accessibility isn’t just compliance—it’s good business. Explore how inclusive design and thoughtful planning enhance the fan experience and boost attendance.

  • Accessibility
  • Venue & festival accessibility
  • Inclusive design in live events
  • Making it memorable & enhancing fan experience
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MODULE 4

Festivals

07
MON (2/9), 4 PM PT/7 PM ET
Festival Logistics + Guest Speaker

Festivals are a different beast altogether. Get the inside view on location, funding, legal requirements, and what happens when things go wrong.

  • Location selection
  • Target demographic
  • Funding & sponsorship models
  • Permits, licences, & local authority requirements
  • Case studies: Festival cancellations (2024–2025), Bonnaroo, Fyre Festival

Assignment #4: Research and reflect on provided festival case studies.

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08
WED (2/11), 4 PM PT/7 PM ET
The Current Festival Landscape

Why do some festivals thrive while others collapse? This session breaks down the key factors of success and failure, with a focus on logistics and fan experience.

  • Why festivals succeed or fail
  • Case Studies: More examples of festival successes and failures
  • Fan experience as a revenue driver
  • Workshop: Analyze the logistics of a famous festival in history

Assignment #5: Pick a festival (from a provided list) and analyze what went right and what went wrong.

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MODULE 5

Pre-production

09
WED (2/18), 4 PM PT/7 PM ET
Advancing & Budgeting

Budgets don’t exist in a vacuum—they connect directly to advancing. Learn how to allocate resources, plan routes, and balance financial realities in both tours and single events.

  • Advancing & budgeting for tours vs. venues
  • Role of tour manager vs. production manager
  • Routing & tariffs
  • Merchandising considerations
  • How advancing ties into budgets

Assignment #6: Plan how you would allocate a production budget at three different levels: $15k, $50k, and $200k.

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10
MON (2/23), 4 PM PT/7 PM ET
Artist Relations & Hospitality + Guest Speaker

Hospitality is about more than food and dressing rooms—it’s about professionalism and creating an environment where artists can thrive.

  • Interpreting hospitality and technical riders
  • Catering, dressing rooms, & wellness requirements
  • Professionalism & artist experience
  • Building a network of resources
  • When to say “yes” vs “no”
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11
WED (2/25), 4 PM PT/7 PM ET
Event Day & Contingency Planning

Show day is all about execution under pressure. Learn how to manage call sheets, troubleshoot in real time, and keep the chain of command strong.

  • Final checks & pre-show walk-throughs
  • Call sheets & Day-Of-Show documentation
  • Managing timelines under pressure
  • Crowd control & emergency response
  • Live troubleshooting: audio, power, delays
  • Communication & chain-of-command
  • Workshop: Plan the run-of-show for a 5-band metal concert
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MODULE 6

Settlements

12
MON (3/2), 4 PM PT/7 PM ET
Settling

Money talks. Learn how offers, ticket sales, and expenses flow into settlements—and practice the math yourself.

  • How budgets are built
  • Building a settlement
  • Settlement calculations
  • Pre-settlement process
  • Workshop: Build a settlement based on a contracted guarantee

Assignment #7: Settlement exercise based on a “door deal” scenario.

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13
WED (3/4), 4 PM PT/7 PM ET
Settlement Challenges

Settlements aren’t always smooth. This session unpacks real-world disputes and how to handle them with professionalism and fairness.

  • Common disputes & how to handle them
  • When contracts & expenses don’t align
  • Working with agencies
  • Class discussion & feedback on settlement workshop
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MODULE 7

Post-Show & Career Growth

14
MON (3/9), 4 PM PT/7 PM ET
Post-Show Wrap-Up & Reporting

The end of a show is just as important as the start. Learn how to wrap up effectively while protecting relationships and minimizing losses.

  • Dismantling equipment & returning gear
  • Avoiding damage, loss, & overtime charges
  • Post-event reports & documentation
  • Venue & vendor future relationship management
  • Debriefing & continuous improvement

Assignment #8: Write a mock post-show report based on a fictional event scenario.

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15
WED (3/11), 4 PM PT/7 PM ET
Career Guidance & Next Steps

Live event production offers many paths—from freelance to tour life. This final session focuses on your next steps, building a portfolio, and pitching yourself as a pro.

  • Career paths
  • Networking, unions, & certifications
  • Portfolio building & client communication
  • Pitching to clients & venues
  • Final Q&A
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What our students say

Student Rebecca Kouwe
Rebecca Kouwe
HUMAN RESOURCES ANALYTICS
"I really enjoy the format of the course. Lectures with real life examples and an ongoing case study. Also built in 20 minutes at the end of each class for questions is helpful."
Student Hayley Smith
Hayley Smith
BRANDING 101
"Overall I'm impressed with the level of detail and explanation around particular topics and subjects. There's a real depth to each module which for learning allows the information to stay in your brain."
Student Carlos Andres
Carlos Andres
BECOME AN ART DIRECTOR
"The group activities, they allow us to interact and exchange ideas, plus the way it is structured is challenging and mind twisting as we collaborate in different parts of the ideation."
Student Courtney Fulton
Courtney Fulton
WOMEN IN LEADERSHIP
"I enjoyed the structure of the class. I like how we learned about a topic and practiced it in the workshops. It’s helped me to apply what I learned!"
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