TV SERIES WRITING
TUESDAYS & THURSDAYS
6 PM PT / 9 PM ET
18 FEB 2025 - 27 MAR 2025
DURATION:
6 WEEKS
TUESDAYS & THURSDAYS
6 PM PT / 9 PM ET
Create storylines and characters that hook audiences, keep them engaged, and have longevity.
Learn first-hand from Jason Ganzel, a seasoned television showrunner with 25 years of experience, to start developing rich characters, immersive world-building, and captivating story arcs.
THIS COURSE IS FOR YOU, IF...
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YOU ARE AN ASPIRING WRITER
Our course is designed for aspiring creatives! While you may have a solid foundation in various writing formats, we’ll equip you with the specialized skills and insider knowledge needed to thrive in the TV business.
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YOU ARE A MEDIA PROFESSIONAL
Have some experience in content creation and production? This course will provide you with essential writing skills and industry insights, empowering you to transition seamlessly into scriptwriting.
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YOU ARE A FILM & TV ENTHUSIAST
Transform a passion for storytelling into a rewarding new career. Tailored for career switchers with lots of drive but no experience in the industry (yet!), this program will help you navigate the structure, key players, and expectations of TV writing.
The demand for fresh and original content is skyrocketing.
You can turn your ideas into the next big hit. From creating compelling loglines to developing complex characters and plotting multi-season story arcs, you'll gain all the essential skills to bring your concepts to life.
Learn directly from the writer of Desperate Housewives, Graceland, Grey’s Anatomy, and more.
Shape your ideas into a pitch-worthy series through easily accessible classes and practical assignments, all while receiving personalized guidance and real-time feedback from Jason during live Q&A sessions.
Learn from iconic series like Breaking Bad, Modern Family, and Succession. Collaborate with fellow aspiring writers during hands-on workshops on concept development, set ups, plot twists, and feedback.
Prepare for real projects & deliver tangible results. You'll culminate your learning by developing a market-ready pitch document for your own TV series concept.
Learn effective pitching techniques, the importance of networking, and the roles of agents and managers. Get ready to confidently present your ideas and seize opportunities in the competitive business.
JASON GANZEL
Portfolio- TV showrunner, co-executive producer, and writer with 25 years in the industry.
- Spent seven years writing for Desperate Housewives and contributed to Graceland, Queen of the South, Grey’s Anatomy, Dynasty, and Naomi.
- Currently developing the HBO documentary Fosters, sports drama Broken Rim with Matt Barnes and Kevin Garnett, Findlay Prep with Peter Dinklage and Carmelo Anthony, and IMG Academy with Untitled.
- Showrunning Soul and Fury, a project with Debbie Allen and Terrence Howard.
And, ACTION! Get the ball rolling by meeting your super instructor, getting an overview of the course, as well as an introduction to your final assignment.
- Instructor introduction
- Final assignment discussion
- Housekeeping
Final Assignment: Series Pitch Document
In this final assignment, students will review their feedback on assignments and combine these to create a marketable pitch document for their original TV series concept.
Dive into Class 1 with the evolution of TV series writing and exploring the landscape of the current industry. Learn to identify the different types of productions and broadcasting platforms, from network to streaming, and gain an understanding of the role of a writer.
- Evolution of TV series writing & current context
- Productions & broadcasting types: Network, cable, streaming
- Current industry trends
- A ‘Day in the Life’ of a writer
- Creative collaboration & teamwork
It’s time to go back to the basics. Build a strong foundation in structure, character development, pacing, and research. Finally, apply this fresh knowledge in a hands-on workshop where you’ll watch and analyze a pilot episode.
- The basics: Structure, character outlines, pacing
- Researching & analyzing series
- Comedy & drama
- Plot vs. character-driven plots
- Workshop 1: Go through a pilot episode (watched before class) with your instructor and analyze it from structure to motifs
Assignment 1: Craft a logline for your original TV show concept.
Discover how to generate ideas using brainstorming and conceptualization techniques, blend and subvert genre conventions, and identify core messages and themes in storytelling. You’ll further learn how to craft effective loglines for your series concepts.
- Brainstorming & conceptualization techniques
- Blending & subverting genre conventions
- Core messages & themes
- Crafting effective loglines
- Workshop 2: Divide into breakout rooms and share 3-4 original concept ideas with the class. Leave with one idea to develop further
Assignment 2: Create a character description
In Class 4 you’ll get into character basics. Explore the different types of characters, from protagonists and antagonists to supporting characters, delve into character arcs, and learn the difference between creating characters for comedy and drama.
- Defining antagonists, protagonists & supporting characters
- Character arcs & growth
- Creating characters for comedy & drama
- Case study analysis of characters
- Workshop3: Divide into breakout groups and share your original character concepts for feedback
Assignment 3: Create a character description
Now the characters are in place, time to build their world. Dive into set-up structures, creating effective character introductions, and understand the differences between series-long and pilot stories. You will also dip into target audiences and the marketability of your concepts.
- Set-up structures & genre-related variants
- Character introductions
- Series-long show, pilot story, timeline
- Target audiences & marketability
- Anatomy of a scene
- Workshop 4: Identify story arcs of characters within an episode
Hot tip: Setting up an arc early gives you a clear direction for your story. Learn everything from defining story arcs, understanding the role of subplots, and adapting arcs to fit different genre requirements.
- Defining story arcs
- Story arc types
- Subplots & interweaving narratives
- Adapting story arcs for comedy & drama
- Workshop 5: Outline the main story arc of the pilot episode for your chosen TV show
Assignment 4: Create an effective storyline for each character in your pilot episode
Who doesn’t love a good bit of misdirection? Explore using foreshadowing to build suspense, employ red herrings to mislead audiences, and manipulate time in your narrative to create interesting and engaging storylines.
- Layered storytelling
- Foreshadowing techniques
- Red herrings & misdirection
- Temporal manipulation
- Workshop 6: In groups, flesh out the beats for your characters
Assignment 5: Take what you’ve discussed in the workshop and flesh out the beats. Provide a detailed progression of what happens to each character in the pilot episode.
Time to give your character a voice! Learn how to develop an authentic voice for your character, write believable dialogue, and balance exposition in your storytelling.
- Developing authentic voices for characters
- Writing believable dialogue
- Balancing exposition
- Writing dialogue for comedy & drama
Get into the ins and outs of what makes a good teaser. Learn to apply teaser writing techniques, build anticipation, and identify key elements and strategies of successful teasers.
- Teaser role & purpose
- Teaser structures
- Teaser writing techniques
- Building anticipation & excitement
- Case studies: Examples of successful teasers
Assignment 6: Investigate the different types of teasers and outline your opening for your original concept
And to round it all off, explore the different season finale structures and learn to identify and avoid common mistakes when writing a finale.
- Defining the season finale
- Season finale structures
- Avoiding common pitfalls
Assignment 7: Write a few paragraphs outlining the shape of season 1 with additional areas to explore for season 2 and beyond
A script is only as strong as its pitch! In class 11, you’ll analyze examples of successful pitches and apply these insights to develop your own compelling pitch document.
- Pitch document sections
- Pitch examples
- Workshop 7: In groups, practice elevator pitches and brainstorm ways to enhance them
Out into the world! This final class will prepare you for everything ‘real world,’ from your portfolio, pitching techniques, and networking to agents and managers. This is just the beginning of your journey - good luck!
- The pitch & your portfolio
- Pitching tips
- Networking & professionalism
- Agents, managers, & representation
- The future of TV Series Writing
Our students work in 1600+ companies worldwide
What our students say
"The group activities, they allow us to interact and exchange ideas, plus the way it is structured is challenging and mind twisting as we collaborate in different parts of the ideation."
"Overall I'm impressed with the level of detail and explanation around particular topics and subjects. There's a real depth to each module which for learning allows the information to stay in your brain."
"I really enjoy the format of the course. Lectures with real life examples and an ongoing case study. Also built in 20 minutes at the end of each class for questions is helpful."
"I enjoyed the structure of the class. I like how we learned about a topic and practiced it in the workshops. It’s helped me to apply what I learned!"